From: Gabriel Dunne Date: Thu, 11 Jun 2020 18:42:30 +0000 (-0700) Subject: Updates! X-Git-Url: https://git.quilime.com/?a=commitdiff_plain;h=90421bdbb2a9b171161eb06deadee232d332c543;p=plog.git Updates! --- diff --git a/content/code/archlinux_install b/content/code/archlinux_install index 1ea870d..198e476 100644 --- a/content/code/archlinux_install +++ b/content/code/archlinux_install @@ -1,7 +1,6 @@ title = "DualBoot Archlinux/Windows7 Installation" date = 2012-01-02 tags = arch linux windows installation tutorial -comments = true -- Documentation of the process of installing [archlinux](http://www.archlinux.org/) and Windows 7 in a dual-boot configuration. diff --git a/content/code/ssh_keys b/content/code/ssh_keys index a17c9eb..04fe559 100644 --- a/content/code/ssh_keys +++ b/content/code/ssh_keys @@ -6,7 +6,7 @@ ssh-keygen -t rsa // linux ssh-copy-id [user@]host // osx -cat ~/.ssh/id_rsa.pub | ssh user@machine "mkdir ~/.ssh; cat >> ~/.ssh/authorized_keys" +cat ~/.ssh/id_rsa.pub | ssh user@machine "mkdir -p ~/.ssh; cat >> ~/.ssh/authorized_keys" eval `ssh-agent` ssh-add diff --git a/content/projects/clmpr b/content/projects/clmpr deleted file mode 100644 index 9fd4e5d..0000000 --- a/content/projects/clmpr +++ /dev/null @@ -1,12 +0,0 @@ -title = clmpr -date = may 24 2011 -tags = code web -gallery = full --- - -clmpr (clumper) is an open-source multi-user bookmarking engine, inspired by the original del.icio.us (RIP) - -demo: clmpr.com -source: http://github.com/quilime/clmpr - - \ No newline at end of file diff --git a/content/projects/config b/content/projects/config deleted file mode 100644 index 0ceefdf..0000000 --- a/content/projects/config +++ /dev/null @@ -1 +0,0 @@ -template = projects diff --git a/content/projects/dots b/content/projects/dots deleted file mode 100644 index e21a690..0000000 --- a/content/projects/dots +++ /dev/null @@ -1,40 +0,0 @@ -title = dots -date = 2007-05-02 -thumb = http://media.quilime.com/files/projects/dots/thumb.png --- - - - - -

- -Human generated tones are rendered with lines. The software manipulates these tones via random visual noise, making both audio and visual more chaotic of time. Tones start rigid and rhythmic, slowly degenerating into an organic, complex and chaotic system of overlapping frequencies and polyrhythms. - - - - -

-

-interactive software written in c++ -

- - - -
- - - -
- - - -
- - diff --git a/content/projects/facereplace b/content/projects/facereplace deleted file mode 100644 index edf7c4e..0000000 --- a/content/projects/facereplace +++ /dev/null @@ -1,31 +0,0 @@ -title = face replace -date = dec 15 2012 -thumb = http://media.quilime.com/files/projects/facereplace/thumb.png --- -![](http://media.quilime.com/files/projects/facereplace/8282922605_6b0b20d255_z.jpg) - -By [Gabriel Dunne](https://github.com/quilime) and [Toby Shachman](https://github.com/electronicwhisper). - -Created and shown over 36 hours during [ArtHackDay "Lethal Software"](http://arthackday.net/gaffta/) -at [GAFFTA](http://gaffta.org), December 15, 2012. - -Physical installation built with a pre-existing art frame prototype. Viewers experience the work as a large -portrait mirror, and they see a face superimposed onto their own in real time. Viewers can take a snapshot -of their own face which immediately becomes superimposed onto their own. As people view the mirror, subsequent -people have their faces replaced by the previous viewers faces. - -A physical knob enables viewers to explore faces people have saved. - -Sourcecode on github: [https://github.com/quilime/face-replace](https://github.com/quilime/face-replace) - -Built with [OpenFrameworks](https://github.com/openframeworks/openFrameworks) -and [ofxFaceTracker](https://github.com/kylemcdonald/ofxFaceTracker) and based on examples -in [FaceSubstitution](https://github.com/arturoc/FaceSubstitution). - - - -![](http://media.quilime.com/files/projects/facereplace/8282922729_0196638a30_z.jpg) -![](http://media.quilime.com/files/projects/facereplace/8283981934_30b21287f5_z.jpg) -![](http://media.quilime.com/files/projects/facereplace/8282923389_b3628ece41_z.jpg) -![](http://media.quilime.com/files/projects/facereplace/8283982270_f7071d0bf1_z.jpg) -![](http://media.quilime.com/files/projects/facereplace/8282923287_b61cc6d82c_z.jpg) diff --git a/content/projects/jelly b/content/projects/jelly deleted file mode 100644 index d98a726..0000000 --- a/content/projects/jelly +++ /dev/null @@ -1,44 +0,0 @@ -title = Jellyfish -date = 2008-05-01 -thumb = http://media.quilime.com/files/projects/jelly/thumb.png --- - - - -Organic forms react to the user and each other. Their motions and position in space create and/or affect audio. A tenticles depth in space is correlated to volume, while its color is linked to a tone in the audio spectrum. Interaction with the tentacle instrument is smooth, undulating, jellyfish-like. - - - - -*medium: software* - - - - - -
- - - -
- - - -
- - - -
- - - -
- - - -
- - - - diff --git a/content/projects/rattles b/content/projects/rattles deleted file mode 100644 index 96faa43..0000000 --- a/content/projects/rattles +++ /dev/null @@ -1,60 +0,0 @@ -title = Rattles -date = 2006-05-02 -thumb = http://portfolio.quilime.com/2008/rattle/thumb.png --- - -Particles are jostled and shaken as in a rattle. The sonic possibilities of their collisions and movement are given freedom and sonic depth via software. -Rattles and shakers can be embedded into one another, allowing for more sensitivity, sonic subtlety, and layers when making music. Interaction with the digital rattle is as intuitive as its physical counterpart. - - - - - - - -The interaction with "Rattles" is identicle to the traditional percussive instrument. -The visual shape, texture, or size of each interior rattler represents a unique audio -tone, either percussive or melodic. The resulting soundscape of the rattle instrument is -therefore unique and rich with sonic subtlety and variation, transforming the traditional -"rattle" into an instrument with a necesarry visual component. -Rattles can be embedded into one another, allowing for more -sensitivity, sonic subtlety, and layers. - - -written in c++ - - - -
- - - - -
- - - -
- - - -
- - - -
- - - -
- - - -
- - - - - - - diff --git a/content/projects/sempernull b/content/projects/sempernull deleted file mode 100644 index 7151e5e..0000000 --- a/content/projects/sempernull +++ /dev/null @@ -1,76 +0,0 @@ -title = sempernull -date = 2007-08-12 -thumb = http://portfolio.quilime.com/2008/sempernull/thumb.png -tag = video installation --- - - - -
- - -An exploration of infinite/finite space. The user transitions between macro and micro environments of mathematically infinite scale, limited only by computer processing power. As the viewer moves through multiple spaces, their scope and perspective widends and transcends while space becoms infinitely big and infinitely small simultaneously. - -*non-interactive software* - - - - - - - - - - -
- - - -
- - - -
- - - -
- - - -
- - - -
- - - -
- - - -
- - - -
- - - -
- - - - - - - - - - - - - - - diff --git a/content/projects/swimtank b/content/projects/swimtank deleted file mode 100644 index 73111f1..0000000 --- a/content/projects/swimtank +++ /dev/null @@ -1,63 +0,0 @@ -title = Swimtank -date = 2007-05-01 -thumb = http://media.quilime.com/files/projects/swimtank/thumb.png --- - - - -A form follows an infinite path drawn by you, -and then reacts to its own trail. You can control the form on two axis, while the depth of the path follows a sinusoidal rhythm that is affected by paths previously drawn. - - - -*interactive software written in c++* - - - - - -
- - - -
- - - -
- - - -
- - - -
- - - -
- - - -
- - - -
- - - -
- - - -
- - - -
- diff --git a/content/projects/synony b/content/projects/synony deleted file mode 100644 index 6edb0cc..0000000 --- a/content/projects/synony +++ /dev/null @@ -1,22 +0,0 @@ -title = synonymovement -date = 2007-04-10 -thumb = http://portfolio.quilime.com/2008/synonymovement/thumb.png --- - - - - - - - - - - - - - - - - -*non-interactive software written in c++* - diff --git a/lib/init.php b/lib/init.php index 12c20de..5fa394f 100644 --- a/lib/init.php +++ b/lib/init.php @@ -9,8 +9,8 @@ # error reporting (turn this off for production) -error_reporting(E_ALL); -ini_set("display_errors", 1); + //error_reporting(E_ALL); + //ini_set("display_errors", 1); # timezone putenv('TZ=America/Los Angeles'); diff --git a/pages/about b/pages/about index ee31ccf..542a6d5 100644 --- a/pages/about +++ b/pages/about @@ -2,21 +2,10 @@ title = about -- experiments and process
-© 1999—2013
+© 1999—2020
Gabriel Dunne www, email
-[site rss](http://quilime.com/.rss) -[image aggregate](http://media.quilime.com/aggregate/) - -elsewhere -[soundcloud](http://soundcloud.com/quilime/) -[github](http://github.com/quilime/) -[twitter](http://twitter.com/quilime/) -[vimeo](http://vimeo.com/quilime/) -[flickr](http://flickr.com/photos/quilime/) - - archive
[2008](http://portfolio.quilime.com/2008) [2007](http://portfolio.quilime.com/new/port.php) @@ -24,6 +13,13 @@ archive
[1999—2004](http://portfolio.quilime.com/archive/) +network +[twitter](http://twitter.com/quilime/) +[github](http://github.com/quilime/) +[flickr](http://flickr.com/photos/quilime/) +[vimeo](http://vimeo.com/quilime/) +[soundcloud](http://soundcloud.com/quilime/) + diff --git a/templates/default.html.tpl b/templates/default.html.tpl index d9cd1e3..8c0d3dc 100644 --- a/templates/default.html.tpl +++ b/templates/default.html.tpl @@ -11,7 +11,7 @@ - more →

'; ?> + more →

'; ?> include_template('entry.html.tpl', array('entry' => $entry)); ?> diff --git a/templates/entry.html.tpl b/templates/entry.html.tpl index ef64ba5..dcb9291 100644 --- a/templates/entry.html.tpl +++ b/templates/entry.html.tpl @@ -1,7 +1,7 @@

- + " href="/">—

@@ -10,12 +10,12 @@
- + #
in /' . implode(', ', $entry['tags']); ?> - +
- - -
  • photo
  • +
  • flickr
  • +
  • aggregate
  • +
  • rss
  • + +