-title = Visual Set at CCRMA Modulations\r
+title = LVP @ CCRMA Modulations\r
date = may 10 2012\r
tags = visual code performance\r
--\r
-<iframe src="http://player.vimeo.com/video/41406543?title=0&byline=0&portrait=0" width="500" height="281" frameborder="0" webkitAllowFullScreen mozallowfullscreen allowFullScreen></iframe> <p><a href="http://vimeo.com/41406543">Live Visuals @ CCRMA Modulations 2012</a></p>\r
+<iframe src="http://player.vimeo.com/video/41406543?title=0&byline=0&portrait=0" width="500" height="281" frameborder="0" webkitAllowFullScreen mozallowfullscreen allowFullScreen></iframe>\r
\r
title = ICOSI\r
date = july 05 2010\r
-tags = audio visual projection installation \r
+tags = audio visual projection-mapping installation \r
--\r
\r
\r
\r
<iframe src="http://player.vimeo.com/video/14010409?title=0&byline=0&portrait=0" width="500" height="281" frameborder="0" webkitAllowFullScreen mozallowfullscreen allowFullScreen></iframe></p>\r
\r
-<iframe src="http://player.vimeo.com/video/17394178?title=0&byline=0&portrait=0" width="500" height="281" frameborder="0" webkitAllowFullScreen mozallowfullscreen allowFullScreen></iframe>\r
\r
\r
<br />\r
00 June 2010 — Biennial of the Americas \r
[link]\r
\r
-06 Nov 2010 — [GAFFTA](http://gaffta.org) 55 Taylor Street, San Francisco \r
-[link](http://www.gaffta.org/2010/11/03/takes-on-sound-space-symposium-performances-this-saturday/)\r
-\r
<br />\r
<br />\r
\r
-#### rider\r
-[pdf](http://media.quilime.com/files/projects/icosi/gdunne_rider_diag.pdf)\r
+\r
+[technical rider](http://media.quilime.com/files/projects/icosi/gdunne_rider_diag.pdf)\r
-date = 2010-07-01
---
-Fabrication process for ICOSI projection surface. The form is a section of an icosidodecahedron (scaled on the z-axis by 0.5).
-
-<a href="http://www.flickr.com/photos/quilime/4743498955/" title="view on flickr">
-<img src="http://farm5.static.flickr.com/4077/4743498955_d8d524bd27.jpg" /></a>
-<br />
-A laser-cut a small working model.
-
-<a href="http://www.flickr.com/photos/quilime/4744981890/" title="view on flickr"><img src="http://farm5.static.flickr.com/4142/4744981890_2a41c9f374.jpg" /></a><br />
-Custom jig for slicing the angles.
-
-<a href="http://www.flickr.com/photos/quilime/4769443639/in/photostream/"><img src="http://farm5.static.flickr.com/4076/4769443639_728b077b3a.jpg" /></a><br />
-Priming the panels, readying them to be stretched with screen-fabric.
+title = ICOSI Fabrication\r
+date = 2010-07-01\r
+tags = studio fabrication\r
+--\r
+Fabrication process for ICOSI projection surface. The form is a section of an icosidodecahedron (scaled on the z-axis by 0.5).\r
+\r
+<a href="http://www.flickr.com/photos/quilime/4743498955/" title="view on flickr">\r
+<img src="http://farm5.static.flickr.com/4077/4743498955_d8d524bd27.jpg" /></a>\r
+<br />\r
+A laser-cut a small working model.\r
+\r
+<a href="http://www.flickr.com/photos/quilime/4744981890/" title="view on flickr"><img src="http://farm5.static.flickr.com/4142/4744981890_2a41c9f374.jpg" /></a><br />\r
+Custom jig for slicing the angles.\r
+\r
+<a href="http://www.flickr.com/photos/quilime/4769443639/in/photostream/"><img src="http://farm5.static.flickr.com/4076/4769443639_728b077b3a.jpg" /></a><br />\r
+Priming the panels, readying them to be stretched with screen-fabric.\r
--- /dev/null
+title = ICOSI @ GAFFTA\r
+date = 06 nov 2010\r
+tags = performance projection-mapping audiovisual\r
+--\r
+06 Nov 2010 — [GAFFTA](http://gaffta.org) 55 Taylor Street, San Francisco \r
+[link](http://www.gaffta.org/2010/11/03/takes-on-sound-space-symposium-performances-this-saturday/)\r
+\r
+Audio by Jeff Lubow\r
+\r
+<iframe src="http://player.vimeo.com/video/17394178?title=0&byline=0&portrait=0" width="500" height="281" frameborder="0" webkitAllowFullScreen mozallowfullscreen allowFullScreen></iframe>\r
-date = 2010-07-07
-tags = studio
---
-[](http://www.flickr.com/photos/quilime/4773799092/)
-Assembly test w/stretched panels in the studio (just hanging).
-
-[](http://www.flickr.com/photos/quilime/4773722288/in/photostream/)
-Assembly test.
-
-
+title = ICOSI Studio\r
+date = 2010-07-07\r
+tags = studio form\r
+--\r
+[](http://www.flickr.com/photos/quilime/4773799092/) \r
+Assembly test w/stretched panels in the studio (just hanging).\r
+\r
+[](http://www.flickr.com/photos/quilime/4773722288/in/photostream/) \r
+Assembly test.\r
+\r
+\r
title = NAAG\r
date = jan 1 2012\r
-tags = projection sculpture installation public-space\r
+tags = projection-mapping sculpture installation public-space\r
--\r
\r
projection-mapped installation in collaboration with Vishal K. Dar\r
title = Prism\r
date = 2007-08-23\r
-tags = sketch\r
+tags = sketch form\r
--\r
\r
oil on canvas. 4' x 3'\r
title = Rattle\r
date = 2008-05-02\r
-tags = visual audio code \r
+tags = audiovisual code \r
--\r
\r
<iframe src="http://player.vimeo.com/video/978557?title=0&byline=0&portrait=0" width="500" height="377" frameborder="0" webkitAllowFullScreen mozallowfullscreen allowFullScreen></iframe>\r
date = 2010-10-04\r
--\r
\r
-Alpha release of [Seaquence: A experimental web-based musical ecosystem](http://seaquence.org). \r
+Seaquence: A musical ecosystem.\r
\r
-[link](http://seaquence.org)\r
+[seaquence.org](http://seaquence.org)\r
+\r
+(c) 2007-2012 Gabriel Dunne, Daniel Massey, Ryan Alexander
\ No newline at end of file
title = Stars\r
date = sep 20 2009\r
-tags = projection code audio visual\r
+tags = code audiovisual\r
--\r
\r
An exploration of infinite/finite space. The viewer transitions between macro and micro environments of mathematically infinite scale. As the viewer moves through multiple spaces, their scope and perspective widens and transcends while space becomes infinitely big and infinitely small simultaneously.\r
date = 02/02/2009\r
title = Synonymovement\r
-tags = visual audio code\r
+tags = audiovisual code\r
--\r
<br />\r
<span class="caption">\r
--- /dev/null
+date = April 2, 2011 5:26 PM
+tags = studio
+--
h4 {
font-size: 118%; }
+input[type="text"], textarea {
+ color:#000;
+ padding:0.5em;
+}
+
ul, li {
}
#nav .nav a {
text-decoration:none;
- color:#9dd;
+ color:#e8e;
+ }
+ #nav .nav a:hover {
+ color:#f00;
}
#nav .nav {
position:absolute;
background:#eee;
display:inline-block;
padding:1em;
- position:relative;
- left:-1em;
+
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.tags .tag {
-{"entries":[{"config":{"date":"sep 25 2012","tags":"structure"},"title":"platform","filename":"platform","path":"\/Users\/gdunne\/_portfolio\/www\/content\/platform","fileInfo":{},"timestamp":"1348556400","tags":["structure"],"content":"<p><img src=\"http:\/\/farm9.staticflickr.com\/8320\/8025655295_cc1d0e9c0a_z.jpg\" \/>\n<img src=\"http:\/\/farm9.staticflickr.com\/8030\/8025655087_27febc8f3c_z.jpg\" \/><\/p>\n","comments_enabled":false,"comments":{"comments":[],"comments_loc":"\/Users\/gdunne\/_portfolio\/wwwcomments\/\/Users\/gdunne\/_portfolio\/www\/content\/platform\/","fileInfo":{},"_recaptcha_resp":null,"_recaptcha_error":null,"_comment_error":null},"cat":{"name":"","url":"\/\/"},"thumb":"media\/\/\/platform\/thumb.png","url":"\/platform","edit_url":"\/edit\/\/platform","media_dir":"media\/\/\/platform\/","media":{}},{"config":{"title":"
Visual Set at CCRMA Modulations","date":"may 10 2012","tags":"visual code performance"},"title":"Visual Set at CCRMA Modulations","filename":"ccrma_modulations","path":"\/Users\/gdunne\/_portfolio\/www\/content\/ccrma_modulations","fileInfo":{},"timestamp":"1336633200","tags":["visual","code","performance"],"content":"<p><iframe src=\"http:\/\/player.vimeo.com\/video\/41406543?title=0&byline=0&portrait=0\" width=\"500\" height=\"281\" frameborder=\"0\" webkitAllowFullScreen mozallowfullscreen allowFullScreen><\/iframe> <p><a href=\"http:\/\/vimeo.com\/41406543\">Live Visuals @ CCRMA Modulations 2012<\/a><\/p><\/p>\n","comments_enabled":false,"comments":{"comments":[],"comments_loc":"\/Users\/gdunne\/_portfolio\/wwwcomments\/\/Users\/gdunne\/_portfolio\/www\/content\/ccrma_modulations\/","fileInfo":{},"_recaptcha_resp":null,"_recaptcha_error":null,"_comment_error":null},"cat":{"name":"","url":"\/\/"},"thumb":"media\/\/\/ccrma_modulations\/thumb.png","url":"\/ccrma_modulations","edit_url":"\/edit\/\/ccrma_modulations","media_dir":"media\/\/\/ccrma_modulations\/","media":{}},{"config":{"date":"april 4 2012","tags":"studio","related":"monad","gallery":"stacked"},"title":"monad_ceiling","filename":"monad_ceiling","path":"\/Users\/gdunne\/_portfolio\/www\/content\/monad_ceiling","fileInfo":{},"timestamp":"1333522800","tags":["studio"],"content":"\n","comments_enabled":false,"comments":{"comments":[],"comments_loc":"\/Users\/gdunne\/_portfolio\/wwwcomments\/\/Users\/gdunne\/_portfolio\/www\/content\/monad_ceiling\/","fileInfo":{},"_recaptcha_resp":null,"_recaptcha_error":null,"_comment_error":null},"cat":{"name":"","url":"\/\/"},"thumb":"media\/\/\/monad_ceiling\/thumb.png","url":"\/monad_ceiling","edit_url":"\/edit\/\/monad_ceiling","media_dir":"media\/\/\/monad_ceiling\/","media":{"0":{"filename":"IMG_3577.jpg","local":"\/Users\/gdunne\/_portfolio\/www\/media\/\/\/monad_ceiling\/IMG_3577.jpg","url":"\/media\/\/\/monad_ceiling\/IMG_3577.jpg","extension":"jpg"},"1":{"filename":"IMG_3591.jpg","local":"\/Users\/gdunne\/_portfolio\/www\/media\/\/\/monad_ceiling\/IMG_3591.jpg","url":"\/media\/\/\/monad_ceiling\/IMG_3591.jpg","extension":"jpg"}}},{"config":{"title":"Audio-ShaderToy","date":"04\/03\/12","tags":"installation code visual audio"},"title":"Audio-ShaderToy","filename":"audioshadertoy","path":"\/Users\/gdunne\/_portfolio\/www\/content\/audioshadertoy","fileInfo":{},"timestamp":"1333436400","tags":["installation","code","visual","audio"],"content":"<iframe src=\"http:\/\/player.vimeo.com\/video\/39874057?title=0&byline=0&portrait=0\" width=\"800\" height=\"400\" frameborder=\"0\" webkitAllowFullScreen mozallowfullscreen allowFullScreen><\/iframe>\n\n<p><a href=\"audioshader.net\">audioshader.net<\/a><\/p>\n","comments_enabled":false,"comments":{"comments":[],"comments_loc":"\/Users\/gdunne\/_portfolio\/wwwcomments\/\/Users\/gdunne\/_portfolio\/www\/content\/audioshadertoy\/","fileInfo":{},"_recaptcha_resp":null,"_recaptcha_error":null,"_comment_error":null},"cat":{"name":"","url":"\/\/"},"thumb":"media\/\/\/audioshadertoy\/thumb.png","url":"\/audioshadertoy","edit_url":"\/edit\/\/audioshadertoy","media_dir":"media\/\/\/audioshadertoy\/","media":{}},{"config":{"title":"NAAG","date":"jan 1 2012","tags":"projection sculpture installation public-space"},"title":"NAAG","filename":"naag","path":"\/Users\/gdunne\/_portfolio\/www\/content\/naag","fileInfo":{},"timestamp":"1325404800","tags":["projection","sculpture","installation","public-space"],"content":"<p>projection-mapped installation in collaboration with Vishal K. Dar<\/p>\n\n<blockquote>\n <p>It is as if mysterious forces coursing through the mohalla* have spontaneously combusted and ignited to produce a marvelous emanation of the cosmic in our midst. Who knows what corners of the universe inform this luminous entity in the middle of Mehrauli**, the watering-hole for generations of horse-riding world conquerors, what hidden histories of the people are recounted in its mysterious ebbs and flows? A wish-fulfilling tree, sometimes studded with jewels, sometimes revealing the silken textures of a beautiful woman's thigh?<\/p>\n \n <p>Light makes the remembered disappear and in its glow we glimpse perhaps the finest movements of our desires hidden deep within ourselves, the sticky flows of habitual but subtle lust by which we attach ourselves to reality in order to feel organically alive. <\/p>\n \n <p>In this dream-light that can only be the beginning of consciousness as electricity, we find ourselves merging with the thing, the patterns of art effortlessly morphing into those of the mind.<\/p>\n \n <p>*an area of a town or village \/ a community. <br \/>\n **is a neighborhood in the South-West district of Delhi in India (<a href=\"en.wikipedia.org\/wiki\/Mehrauli\">en.wikipedia.org\/wiki\/Mehrauli<\/a>)<\/p>\n<\/blockquote>\n\n<p><br \/><\/p>\n\n<p>When artists, Vishal K Dar and Gabriel L Dunne, presented their work in a small space in Mehrauli, on the fringe of the community development, the children of this neighborhood had immediately made up their minds about the creature's (NAAG sculpture)true nature and the reasons for its appearance. To them it was a wish fulfilling sea-serpent, silent and evocative, which had found abode in this unused space to hibernate during the cold winter months of Delhi.<\/p>\n\n<p>Interestingly, we found how myths originate in such communities that are untouched by contemporary art and technology. Their chancing upon an object that is beyond comprehension, allows them to put their faith in notions of folk-lore and myth making.<\/p>\n\n<p>Vishal K Dar \/ Gabriel L Dunne wanted to challenge the notion of sculpture as a static object. Their organic sculptural form has its roots in CAD software and is further skinned with a generative algorithm. Different parts of the sculpture move differently, as if a form had coiled onto itself. The viewer is liberated since the sculpture does not rely on prescribed grammar and the experience helps resolve a paradigm shift in our viewing registers.<\/p>\n\n<p>The sculptural form wraps itself around an existing architectural column. The surface texture is similar in material and color to that of the existing walls. During the day it appears to be sedentary, but after sun down, the surface starts to glimmer and move. The projected animations are mapped onto the surface from two positions, covering a 300deg viewing angle. The projections move in tandem with the surface segments, creating a mesmerizing rhythm.<\/p>\n\n<p><br \/><\/p>\n\n<p>Jan 26th\/27th 2012 <\/p>\n\n<p>the TOILET at 1071\/A, old dada bari road, Mehrauli, INDIA<\/p>\n\n<p>map : <a href=\"http:\/\/g.co\/maps\/tzvxg\">http:\/\/g.co\/maps\/tzvxg<\/a>, <a href=\"<?=MEDIA_ROOT?>\/<?=$entry->cat->name?>\/naag\/map.jpg\">download<\/a><\/p>\n\n<p><br \/><\/p>\n\n<iframe src=\"http:\/\/player.vimeo.com\/video\/38492062?title=0&byline=0&portrait=0\" width=\"800\" height=\"450\" frameborder=\"0\" webkitAllowFullScreen mozallowfullscreen allowFullScreen><\/iframe>\n","comments_enabled":false,"comments":{"comments":[],"comments_loc":"\/Users\/gdunne\/_portfolio\/wwwcomments\/\/Users\/gdunne\/_portfolio\/www\/content\/naag\/","fileInfo":{},"_recaptcha_resp":null,"_recaptcha_error":null,"_comment_error":null},"cat":{"name":"","url":"\/\/"},"thumb":"media\/\/\/naag\/thumb.png","url":"\/naag","edit_url":"\/edit\/\/naag","media_dir":"media\/\/\/naag\/","media":{}},{"config":{"title":"clmpr","date":"may 24 2011","tags":"code web","gallery":"full"},"title":"clmpr","filename":"clmpr","path":"\/Users\/gdunne\/_portfolio\/www\/content\/clmpr","fileInfo":{},"timestamp":"1306220400","tags":["code","web"],"content":"<p>clmpr (clumper) is an open-source multi-user bookmarking engine, inspired by the original delicious. <\/p>\n\n<p>demo: <a href=\"http:\/\/clmpr.com\">clmpr.com<\/a><br \/>\nopensource: <a href=\"http:\/\/github.com\/quilime\/clmpr\">http:\/\/github.com\/quilime\/clmpr<\/a><\/p>\n","comments_enabled":false,"comments":{"comments":[],"comments_loc":"\/Users\/gdunne\/_portfolio\/wwwcomments\/\/Users\/gdunne\/_portfolio\/www\/content\/clmpr\/","fileInfo":{},"_recaptcha_resp":null,"_recaptcha_error":null,"_comment_error":null},"cat":{"name":"","url":"\/\/"},"thumb":"media\/\/\/clmpr\/thumb.png","url":"\/clmpr","edit_url":"\/edit\/\/clmpr","media_dir":"media\/\/\/clmpr\/","media":{"0":{"filename":"clmpr.png","local":"\/Users\/gdunne\/_portfolio\/www\/media\/\/\/clmpr\/clmpr.png","url":"\/media\/\/\/clmpr\/clmpr.png","extension":"png"}}},{"config":{"title":"Seaquence","tags":"audio web code","date":"2010-10-04"},"title":"Seaquence","filename":"seaquence","path":"\/Users\/gdunne\/_portfolio\/www\/content\/seaquence","fileInfo":{},"timestamp":"1286175600","tags":["audio","web","code"],"content":"<p>Alpha release of <a href=\"http:\/\/seaquence.org\">Seaquence: A experimental web-based musical ecosystem<\/a>. <\/p>\n\n<p><a href=\"http:\/\/seaquence.org\">link<\/a><\/p>\n","comments_enabled":false,"comments":{"comments":[],"comments_loc":"\/Users\/gdunne\/_portfolio\/wwwcomments\/\/Users\/gdunne\/_portfolio\/www\/content\/seaquence\/","fileInfo":{},"_recaptcha_resp":null,"_recaptcha_error":null,"_comment_error":null},"cat":{"name":"","url":"\/\/"},"thumb":"media\/\/\/seaquence\/thumb.png","url":"\/seaquence","edit_url":"\/edit\/\/seaquence","media_dir":"media\/\/\/seaquence\/","media":{}},{"config":{"date":"2010-07-07","tags":"studio"},"title":"icosi_studio","filename":"icosi_studio","path":"\/Users\/gdunne\/_portfolio\/www\/content\/icosi_studio","fileInfo":{},"timestamp":"1278486000","tags":["studio"],"content":"<p><a href=\"http:\/\/www.flickr.com\/photos\/quilime\/4773799092\/\"><img src=\"http:\/\/farm5.static.flickr.com\/4140\/4773799092_75e68e4e66.jpg\" alt=\"img\" \/><\/a><br \/>\nAssembly test w\/stretched panels in the studio (just hanging).<\/p>\n\n<p><a href=\"http:\/\/www.flickr.com\/photos\/quilime\/4773722288\/in\/photostream\/\"><img src=\"http:\/\/farm5.static.flickr.com\/4123\/4773722288_dd579b9956.jpg\" alt=\"\" \/><\/a><br \/>\nAssembly test.<\/p>\n","comments_enabled":false,"comments":{"comments":[],"comments_loc":"\/Users\/gdunne\/_portfolio\/wwwcomments\/\/Users\/gdunne\/_portfolio\/www\/content\/icosi_studio\/","fileInfo":{},"_recaptcha_resp":null,"_recaptcha_error":null,"_comment_error":null},"cat":{"name":"","url":"\/\/"},"thumb":"media\/\/\/icosi_studio\/thumb.png","url":"\/icosi_studio","edit_url":"\/edit\/\/icosi_studio","media_dir":"media\/\/\/icosi_studio\/","media":{}},{"config":{"title":"ICOSI","date":"july 05 2010","tags":"audio visual projection installation"},"title":"ICOSI","filename":"icosi","path":"\/Users\/gdunne\/_portfolio\/www\/content\/icosi","fileInfo":{},"timestamp":"1278313200","tags":["audio","visual","projection","installation"],"content":"<p><img src=\"http:\/\/farm5.static.flickr.com\/4110\/4847387674_5419f0b672.jpg\" \/><\/p>\n\n<p><em>ICOSI<\/em> is an audio\/visual sculptural performance which was shown at the Biennial of the Americas, Denver CO, Jul 29 2010.<\/p>\n\n<p>Dimensions: 7.5' x 7.5' x 1'<\/p>\n\n<p>audio synthesis created with Ablton Live\/Max\/MSP, custom software (OPENGL, Processing). Wood and fabric projection surface.<\/p>\n\n<p>The software and audio toolset was developed from scratch for this performance. The performance dramatically split my focus into two places (music and visuals), which was a juggle that I didn't fully anticipate as I was developing the visual software on one split-screen before the performance. Inspired to continue pursuing interfaces and controllers to overcome the separation of creating audio and visuals simultaneously.<\/p>\n\n<p>The multiple mediums (sculpture, sound, visual media) of this particular project was fascinating. Each iteration represents a process of my own curiosities in technology, consciousness, spirituality, design, and fabrication.<\/p>\n\n<p>The piece represents my practice and experiences in regards to my own spiritual growth and experience. Geometrically, the form is inspired by sacred polyhedra that represent forms of transition. The choice of an <a href=\"http:\/\/en.wikipedia.org\/wiki\/Icosidodecahedron\">icosidodecahedron<\/a> represents transition of two frequencies, represented by an <a href=\"http:\/\/en.wikipedia.org\/wiki\/Icosahedron\">icosahedron<\/a> and its dual polyhedron, a <a href=\"http:\/\/en.wikipedia.org\/wiki\/Dodecahedron\">dodecahedron<\/a>.<\/p>\n\n<p>The form is composed of 7 panels trimmed and scaled from a full icosidodecahedron. The visuals follow the structure of the form nearly explicitly, with the exception of textural elements.<\/p>\n\n<p><iframe src=\"http:\/\/player.vimeo.com\/video\/14010409?title=0&byline=0&portrait=0\" width=\"500\" height=\"281\" frameborder=\"0\" webkitAllowFullScreen mozallowfullscreen allowFullScreen><\/iframe><\/p><\/p>\n\n<iframe src=\"http:\/\/player.vimeo.com\/video\/17394178?title=0&byline=0&portrait=0\" width=\"500\" height=\"281\" frameborder=\"0\" webkitAllowFullScreen mozallowfullscreen allowFullScreen><\/iframe>\n\n<p><br \/>\n<br \/><\/p>\n\n<h4>performances<\/h4>\n\n<p>00 June 2010 — Biennial of the Americas<br \/>\n[link]<\/p>\n\n<p>06 Nov 2010 — <a href=\"http:\/\/gaffta.org\">GAFFTA<\/a> 55 Taylor Street, San Francisco<br \/>\n<a href=\"http:\/\/www.gaffta.org\/2010\/11\/03\/takes-on-sound-space-symposium-performances-this-saturday\/\">link<\/a><\/p>\n\n<p><br \/>\n<br \/><\/p>\n\n<h4>rider<\/h4>\n\n<p><a href=\"http:\/\/media.quilime.com\/files\/projects\/icosi\/gdunne_rider_diag.pdf\">pdf<\/a><\/p>\n","comments_enabled":false,"comments":{"comments":[],"comments_loc":"\/Users\/gdunne\/_portfolio\/wwwcomments\/\/Users\/gdunne\/_portfolio\/www\/content\/icosi\/","fileInfo":{},"_recaptcha_resp":null,"_recaptcha_error":null,"_comment_error":null},"cat":{"name":"","url":"\/\/"},"thumb":"media\/\/\/icosi\/thumb.png","url":"\/icosi","edit_url":"\/edit\/\/icosi","media_dir":"media\/\/\/icosi\/","media":{}},{"config":{"date":"2010-07-01"},"title":"icosi_fab","filename":"icosi_fab","path":"\/Users\/gdunne\/_portfolio\/www\/content\/icosi_fab","fileInfo":{},"timestamp":"1277967600","tags":null,"content":"<p>Fabrication process for ICOSI projection surface. The form is a section of an icosidodecahedron (scaled on the z-axis by 0.5).<\/p>\n\n<p><a href=\"http:\/\/www.flickr.com\/photos\/quilime\/4743498955\/\" title=\"view on flickr\">\n<img src=\"http:\/\/farm5.static.flickr.com\/4077\/4743498955_d8d524bd27.jpg\" \/><\/a>\n<br \/>\nA laser-cut a small working model.<\/p>\n\n<p><a href=\"http:\/\/www.flickr.com\/photos\/quilime\/4744981890\/\" title=\"view on flickr\"><img src=\"http:\/\/farm5.static.flickr.com\/4142\/4744981890_2a41c9f374.jpg\" \/><\/a><br \/>\nCustom jig for slicing the angles.<\/p>\n\n<p><a href=\"http:\/\/www.flickr.com\/photos\/quilime\/4769443639\/in\/photostream\/\"><img src=\"http:\/\/farm5.static.flickr.com\/4076\/4769443639_728b077b3a.jpg\" \/><\/a><br \/>\nPriming the panels, readying them to be stretched with screen-fabric.<\/p>\n","comments_enabled":false,"comments":{"comments":[],"comments_loc":"\/Users\/gdunne\/_portfolio\/wwwcomments\/\/Users\/gdunne\/_portfolio\/www\/content\/icosi_fab\/","fileInfo":{},"_recaptcha_resp":null,"_recaptcha_error":null,"_comment_error":null},"cat":{"name":"","url":"\/\/"},"thumb":"media\/\/\/icosi_fab\/thumb.png","url":"\/icosi_fab","edit_url":"\/edit\/\/icosi_fab","media_dir":"media\/\/\/icosi_fab\/","media":{}},{"config":{"title":"Stars","date":"sep 20 2009","tags":"projection code audio visual"},"title":"Stars","filename":"stars","path":"\/Users\/gdunne\/_portfolio\/www\/content\/stars","fileInfo":{},"timestamp":"1253430000","tags":["projection","code","audio","visual"],"content":"<p>An exploration of infinite\/finite space. The viewer transitions between macro and micro environments of mathematically infinite scale. As the viewer moves through multiple spaces, their scope and perspective widens and transcends while space becomes infinitely big and infinitely small simultaneously.<\/p>\n\n<p>Created with custom software written in c++, audio routed through Ableton Live and MaxMSP<\/p>\n\n<p><img style=\"width:100%;\" src=\"http:\/\/portfolio.quilime.com\/new\/content\/04_Stars\/images\/astars.01577.png\"><\/p>\n\n<p>An exploration of infinite\/finite space. The user transitions between macro and micro environments of mathematically infinite scale, limited only by computer processing power. As the viewer moves through multiple spaces, their scope and perspective widends and transcends while space becoms infinitely big and infinitely small simultaneously.<\/p>\n\n<p><em>medium: software<\/em><\/p>\n\n<!--more-->\n\n<p><img style=\"width:100%;\" src=\"http:\/\/portfolio.quilime.com\/new\/content\/04_Stars\/images\/astars.10535.png\"><\/p>\n\n<p><br \/><\/p>\n\n<p><img style=\"width:100%;\" src=\"http:\/\/portfolio.quilime.com\/new\/content\/04_Stars\/images\/astars.20144.png\"><\/p>\n\n<p><br \/><\/p>\n\n<p><img style=\"width:100%;\" src=\"http:\/\/portfolio.quilime.com\/new\/content\/04_Stars\/images\/astars.png\"><\/p>\n\n<p><br \/><\/p>\n\n<p><img style=\"width:100%;\" src=\"http:\/\/portfolio.quilime.com\/new\/content\/04_Stars\/images\/god.0027.png\"><\/p>\n\n<p><br \/><\/p>\n\n<p><img style=\"width:100%;\" src=\"http:\/\/portfolio.quilime.com\/new\/content\/04_Stars\/images\/god.0135.png\"><\/p>\n\n<p><br \/><\/p>\n\n<p><img style=\"width:100%;\" src=\"http:\/\/portfolio.quilime.com\/new\/content\/04_Stars\/images\/god.0253.png\"><\/p>\n\n<p><br \/><\/p>\n\n<p><img style=\"width:100%;\" src=\"http:\/\/portfolio.quilime.com\/new\/content\/04_Stars\/images\/god.0385.png\"><\/p>\n\n<p><br \/><\/p>\n\n<p><img style=\"width:100%;\" src=\"http:\/\/portfolio.quilime.com\/new\/content\/04_Stars\/images\/god.0498.png\"><\/p>\n\n<p><br \/><\/p>\n\n<p><img style=\"width:100%;\" src=\"http:\/\/portfolio.quilime.com\/new\/content\/04_Stars\/images\/god.0710.png\"><\/p>\n\n<p><br \/><\/p>\n\n<p><img style=\"width:100%;\" src=\"http:\/\/portfolio.quilime.com\/new\/content\/04_Stars\/images\/god.0898.png\"><\/p>\n","content_short":"<p>An exploration of infinite\/finite space. The viewer transitions between macro and micro environments of mathematically infinite scale. As the viewer moves through multiple spaces, their scope and perspective widens and transcends while space becomes infinitely big and infinitely small simultaneously.<\/p>\n\n<p>Created with custom software written in c++, audio routed through Ableton Live and MaxMSP<\/p>\n\n<p><img style=\"width:100%;\" src=\"http:\/\/portfolio.quilime.com\/new\/content\/04_Stars\/images\/astars.01577.png\"><\/p>\n\n<p>An exploration of infinite\/finite space. The user transitions between macro and micro environments of mathematically infinite scale, limited only by computer processing power. As the viewer moves through multiple spaces, their scope and perspective widends and transcends while space becoms infinitely big and infinitely small simultaneously.<\/p>\n\n<p><em>medium: software<\/em><\/p>\n","comments_enabled":false,"comments":{"comments":[],"comments_loc":"\/Users\/gdunne\/_portfolio\/wwwcomments\/\/Users\/gdunne\/_portfolio\/www\/content\/stars\/","fileInfo":{},"_recaptcha_resp":null,"_recaptcha_error":null,"_comment_error":null},"cat":{"name":"","url":"\/\/"},"thumb":"media\/\/\/stars\/thumb.png","url":"\/stars","edit_url":"\/edit\/\/stars","media_dir":"media\/\/\/stars\/","media":{}},{"config":{"date":"02\/02\/2009","title":"Synonymovement","tags":"visual audio code"},"title":"Synonymovement","filename":"synonymovement","path":"\/Users\/gdunne\/_portfolio\/www\/content\/synonymovement","fileInfo":{},"timestamp":"1233561600","tags":["visual","audio","code"],"content":"<p><br \/>\n<span class=\"caption\">\naudio\/visual software, video installation<br \/>\nc++, openGL, ableton live, max\/msp\n<\/span><\/p>\n","comments_enabled":false,"comments":{"comments":[],"comments_loc":"\/Users\/gdunne\/_portfolio\/wwwcomments\/\/Users\/gdunne\/_portfolio\/www\/content\/synonymovement\/","fileInfo":{},"_recaptcha_resp":null,"_recaptcha_error":null,"_comment_error":null},"cat":{"name":"","url":"\/\/"},"thumb":"media\/\/\/synonymovement\/thumb.png","url":"\/synonymovement","edit_url":"\/edit\/\/synonymovement","media_dir":"media\/\/\/synonymovement\/","media":{}},{"config":{"title":"Rattle","date":"2008-05-02","tags":"visual audio code"},"title":"Rattle","filename":"rattle","path":"\/Users\/gdunne\/_portfolio\/www\/content\/rattle","fileInfo":{},"timestamp":"1209711600","tags":["visual","audio","code"],"content":"<iframe src=\"http:\/\/player.vimeo.com\/video\/978557?title=0&byline=0&portrait=0\" width=\"500\" height=\"377\" frameborder=\"0\" webkitAllowFullScreen mozallowfullscreen allowFullScreen><\/iframe>\n\n<p>an interactive rattle<br \/>\nbuilt with Processing, ChucK, controlled with a WiiMote<\/p>\n","comments_enabled":false,"comments":{"comments":[],"comments_loc":"\/Users\/gdunne\/_portfolio\/wwwcomments\/\/Users\/gdunne\/_portfolio\/www\/content\/rattle\/","fileInfo":{},"_recaptcha_resp":null,"_recaptcha_error":null,"_comment_error":null},"cat":{"name":"","url":"\/\/"},"thumb":"media\/\/\/rattle\/thumb.png","url":"\/rattle","edit_url":"\/edit\/\/rattle","media_dir":"media\/\/\/rattle\/","media":{}},{"config":{"title":"Prism","date":"2007-08-23","tags":"sketch"},"title":"Prism","filename":"prism","path":"\/Users\/gdunne\/_portfolio\/www\/content\/prism","fileInfo":{},"timestamp":"1187852400","tags":["sketch"],"content":"<p>oil on canvas. 4' x 3'<\/p>\n","comments_enabled":false,"comments":{"comments":[],"comments_loc":"\/Users\/gdunne\/_portfolio\/wwwcomments\/\/Users\/gdunne\/_portfolio\/www\/content\/prism\/","fileInfo":{},"_recaptcha_resp":null,"_recaptcha_error":null,"_comment_error":null},"cat":{"name":"","url":"\/\/"},"thumb":"media\/\/\/prism\/thumb.png","url":"\/prism","edit_url":"\/edit\/\/prism","media_dir":"media\/\/\/prism\/","media":{"0":{"filename":"3.jpg","local":"\/Users\/gdunne\/_portfolio\/www\/media\/\/\/prism\/3.jpg","url":"\/media\/\/\/prism\/3.jpg","extension":"jpg"},"1":{"filename":"thumb.png","local":"\/Users\/gdunne\/_portfolio\/www\/media\/\/\/prism\/thumb.png","url":"\/media\/\/\/prism\/thumb.png","extension":"png"}}},{"config":{"date":"2007-07-02","tags":"sketch","title":"Mask"},"title":"Mask","filename":"mask","path":"\/Users\/gdunne\/_portfolio\/www\/content\/mask","fileInfo":{},"timestamp":"1183359600","tags":["sketch"],"content":"<p>graphite on plywood. 12\" x 12\"<\/p>\n","comments_enabled":false,"comments":{"comments":[],"comments_loc":"\/Users\/gdunne\/_portfolio\/wwwcomments\/\/Users\/gdunne\/_portfolio\/www\/content\/mask\/","fileInfo":{},"_recaptcha_resp":null,"_recaptcha_error":null,"_comment_error":null},"cat":{"name":"","url":"\/\/"},"thumb":"media\/\/\/mask\/thumb.png","url":"\/mask","edit_url":"\/edit\/\/mask","media_dir":"media\/\/\/mask\/","media":{}},{"config":{"title":"Web","date":"jun 4 2007","tags":"code"},"title":"Web","filename":"web","path":"\/Users\/gdunne\/_portfolio\/www\/content\/web","fileInfo":{},"timestamp":"1180940400","tags":["code"],"content":"<p>A network of dots and lines interacts with itself in a single mesh. Depth determines audio volume. Intersections, connections and line-length determine tones. Similar tones and chord groups are designated with additional web lines and connections. Each web line generates a tone that resonates its connections.<\/p>\n\n<p>Based on visual effect code written <a href=\"http:\/\/jtnimoy.com\">jtnimoy<\/a>.<\/p>\n\n<p>written in c++<\/p>\n\n<p><img style=\"width:100%;\" src=\"http:\/\/portfolio.quilime.com\/new\/content\/06_Web\/images\/web.0645.png\"><\/p>\n\n<!--more-->\n\n<p><img style=\"width:100%;\" src=\"http:\/\/portfolio.quilime.com\/new\/content\/06_Web\/images\/web.1336.png\"><\/p>\n\n<p><br \/><\/p>\n\n<p><img style=\"width:100%;\" src=\"http:\/\/portfolio.quilime.com\/new\/content\/06_Web\/images\/web.2533.png\"><\/p>\n\n<p><br \/><\/p>\n\n<p><img style=\"width:100%;\" src=\"http:\/\/portfolio.quilime.com\/new\/content\/06_Web\/images\/zforest.0105.png\"><\/p>\n\n<p><br \/><\/p>\n\n<p><img style=\"width:100%;\" src=\"http:\/\/portfolio.quilime.com\/new\/content\/06_Web\/images\/zforest.0327.png\"><\/p>\n\n<p><br \/><\/p>\n\n<p><img style=\"width:100%;\" src=\"http:\/\/portfolio.quilime.com\/new\/content\/06_Web\/images\/zforest.0619.png\"><\/p>\n","content_short":"<p>A network of dots and lines interacts with itself in a single mesh. Depth determines audio volume. Intersections, connections and line-length determine tones. Similar tones and chord groups are designated with additional web lines and connections. Each web line generates a tone that resonates its connections.<\/p>\n\n<p>Based on visual effect code written <a href=\"http:\/\/jtnimoy.com\">jtnimoy<\/a>.<\/p>\n\n<p>written in c++<\/p>\n\n<p><img style=\"width:100%;\" src=\"http:\/\/portfolio.quilime.com\/new\/content\/06_Web\/images\/web.0645.png\"><\/p>\n","comments_enabled":false,"comments":{"comments":[],"comments_loc":"\/Users\/gdunne\/_portfolio\/wwwcomments\/\/Users\/gdunne\/_portfolio\/www\/content\/web\/","fileInfo":{},"_recaptcha_resp":null,"_recaptcha_error":null,"_comment_error":null},"cat":{"name":"","url":"\/\/"},"thumb":"media\/\/\/web\/thumb.png","url":"\/web","edit_url":"\/edit\/\/web","media_dir":"media\/\/\/web\/","media":{}}]}
\ No newline at end of file
+{"entries":[{"config":{"date":"sep 25 2012","tags":"structure"},"title":"platform","filename":"platform","path":"\/Users\/gdunne\/_portfolio\/www\/content\/platform","fileInfo":{},"timestamp":"1348556400","tags":["structure"],"content":"<p><img src=\"http:\/\/farm9.staticflickr.com\/8320\/8025655295_cc1d0e9c0a_z.jpg\" \/>\n<img src=\"http:\/\/farm9.staticflickr.com\/8030\/8025655087_27febc8f3c_z.jpg\" \/><\/p>\n","comments_enabled":false,"comments":{"comments":[],"comments_loc":"\/Users\/gdunne\/_portfolio\/wwwcomments\/\/Users\/gdunne\/_portfolio\/www\/content\/platform\/","fileInfo":{},"_recaptcha_resp":null,"_recaptcha_error":null,"_comment_error":null},"cat":{"name":"","url":"\/\/"},"thumb":"media\/\/\/platform\/thumb.png","url":"\/platform","edit_url":"\/edit\/\/platform","media_dir":"media\/\/\/platform\/","media":{}},{"config":{"title":"
LVP @ CCRMA Modulations","date":"may 10 2012","tags":"visual code performance"},"title":"LVP @ CCRMA Modulations","filename":"ccrma_modulations","path":"\/Users\/gdunne\/_portfolio\/www\/content\/ccrma_modulations","fileInfo":{},"timestamp":"1336633200","tags":["visual","code","performance"],"content":"<iframe src=\"http:\/\/player.vimeo.com\/video\/41406543?title=0&byline=0&portrait=0\" width=\"500\" height=\"281\" frameborder=\"0\" webkitAllowFullScreen mozallowfullscreen allowFullScreen><\/iframe>\n","comments_enabled":false,"comments":{"comments":[],"comments_loc":"\/Users\/gdunne\/_portfolio\/wwwcomments\/\/Users\/gdunne\/_portfolio\/www\/content\/ccrma_modulations\/","fileInfo":{},"_recaptcha_resp":null,"_recaptcha_error":null,"_comment_error":null},"cat":{"name":"","url":"\/\/"},"thumb":"media\/\/\/ccrma_modulations\/thumb.png","url":"\/ccrma_modulations","edit_url":"\/edit\/\/ccrma_modulations","media_dir":"media\/\/\/ccrma_modulations\/","media":{}},{"config":{"date":"april 4 2012","tags":"studio","related":"monad","gallery":"stacked"},"title":"monad_ceiling","filename":"monad_ceiling","path":"\/Users\/gdunne\/_portfolio\/www\/content\/monad_ceiling","fileInfo":{},"timestamp":"1333522800","tags":["studio"],"content":"\n","comments_enabled":false,"comments":{"comments":[],"comments_loc":"\/Users\/gdunne\/_portfolio\/wwwcomments\/\/Users\/gdunne\/_portfolio\/www\/content\/monad_ceiling\/","fileInfo":{},"_recaptcha_resp":null,"_recaptcha_error":null,"_comment_error":null},"cat":{"name":"","url":"\/\/"},"thumb":"media\/\/\/monad_ceiling\/thumb.png","url":"\/monad_ceiling","edit_url":"\/edit\/\/monad_ceiling","media_dir":"media\/\/\/monad_ceiling\/","media":{"0":{"filename":"IMG_3577.jpg","local":"\/Users\/gdunne\/_portfolio\/www\/media\/\/\/monad_ceiling\/IMG_3577.jpg","url":"\/media\/\/\/monad_ceiling\/IMG_3577.jpg","extension":"jpg"},"1":{"filename":"IMG_3591.jpg","local":"\/Users\/gdunne\/_portfolio\/www\/media\/\/\/monad_ceiling\/IMG_3591.jpg","url":"\/media\/\/\/monad_ceiling\/IMG_3591.jpg","extension":"jpg"}}},{"config":{"title":"Audio-ShaderToy","date":"04\/03\/12","tags":"installation code visual audio"},"title":"Audio-ShaderToy","filename":"audioshadertoy","path":"\/Users\/gdunne\/_portfolio\/www\/content\/audioshadertoy","fileInfo":{},"timestamp":"1333436400","tags":["installation","code","visual","audio"],"content":"<iframe src=\"http:\/\/player.vimeo.com\/video\/39874057?title=0&byline=0&portrait=0\" width=\"800\" height=\"400\" frameborder=\"0\" webkitAllowFullScreen mozallowfullscreen allowFullScreen><\/iframe>\n\n<p><a href=\"audioshader.net\">audioshader.net<\/a><\/p>\n","comments_enabled":false,"comments":{"comments":[],"comments_loc":"\/Users\/gdunne\/_portfolio\/wwwcomments\/\/Users\/gdunne\/_portfolio\/www\/content\/audioshadertoy\/","fileInfo":{},"_recaptcha_resp":null,"_recaptcha_error":null,"_comment_error":null},"cat":{"name":"","url":"\/\/"},"thumb":"media\/\/\/audioshadertoy\/thumb.png","url":"\/audioshadertoy","edit_url":"\/edit\/\/audioshadertoy","media_dir":"media\/\/\/audioshadertoy\/","media":{}},{"config":{"title":"NAAG","date":"jan 1 2012","tags":"projection-mapping sculpture installation public-space"},"title":"NAAG","filename":"naag","path":"\/Users\/gdunne\/_portfolio\/www\/content\/naag","fileInfo":{},"timestamp":"1325404800","tags":["projection-mapping","sculpture","installation","public-space"],"content":"<p>projection-mapped installation in collaboration with Vishal K. Dar<\/p>\n\n<blockquote>\n <p>It is as if mysterious forces coursing through the mohalla* have spontaneously combusted and ignited to produce a marvelous emanation of the cosmic in our midst. Who knows what corners of the universe inform this luminous entity in the middle of Mehrauli**, the watering-hole for generations of horse-riding world conquerors, what hidden histories of the people are recounted in its mysterious ebbs and flows? A wish-fulfilling tree, sometimes studded with jewels, sometimes revealing the silken textures of a beautiful woman's thigh?<\/p>\n \n <p>Light makes the remembered disappear and in its glow we glimpse perhaps the finest movements of our desires hidden deep within ourselves, the sticky flows of habitual but subtle lust by which we attach ourselves to reality in order to feel organically alive. <\/p>\n \n <p>In this dream-light that can only be the beginning of consciousness as electricity, we find ourselves merging with the thing, the patterns of art effortlessly morphing into those of the mind.<\/p>\n \n <p>*an area of a town or village \/ a community. <br \/>\n **is a neighborhood in the South-West district of Delhi in India (<a href=\"en.wikipedia.org\/wiki\/Mehrauli\">en.wikipedia.org\/wiki\/Mehrauli<\/a>)<\/p>\n<\/blockquote>\n\n<p><br \/><\/p>\n\n<p>When artists, Vishal K Dar and Gabriel L Dunne, presented their work in a small space in Mehrauli, on the fringe of the community development, the children of this neighborhood had immediately made up their minds about the creature's (NAAG sculpture)true nature and the reasons for its appearance. To them it was a wish fulfilling sea-serpent, silent and evocative, which had found abode in this unused space to hibernate during the cold winter months of Delhi.<\/p>\n\n<p>Interestingly, we found how myths originate in such communities that are untouched by contemporary art and technology. Their chancing upon an object that is beyond comprehension, allows them to put their faith in notions of folk-lore and myth making.<\/p>\n\n<p>Vishal K Dar \/ Gabriel L Dunne wanted to challenge the notion of sculpture as a static object. Their organic sculptural form has its roots in CAD software and is further skinned with a generative algorithm. Different parts of the sculpture move differently, as if a form had coiled onto itself. The viewer is liberated since the sculpture does not rely on prescribed grammar and the experience helps resolve a paradigm shift in our viewing registers.<\/p>\n\n<p>The sculptural form wraps itself around an existing architectural column. The surface texture is similar in material and color to that of the existing walls. During the day it appears to be sedentary, but after sun down, the surface starts to glimmer and move. The projected animations are mapped onto the surface from two positions, covering a 300deg viewing angle. The projections move in tandem with the surface segments, creating a mesmerizing rhythm.<\/p>\n\n<p><br \/><\/p>\n\n<p>Jan 26th\/27th 2012 <\/p>\n\n<p>the TOILET at 1071\/A, old dada bari road, Mehrauli, INDIA<\/p>\n\n<p>map : <a href=\"http:\/\/g.co\/maps\/tzvxg\">http:\/\/g.co\/maps\/tzvxg<\/a>, <a href=\"<?=MEDIA_ROOT?>\/<?=$entry->cat->name?>\/naag\/map.jpg\">download<\/a><\/p>\n\n<p><br \/><\/p>\n\n<iframe src=\"http:\/\/player.vimeo.com\/video\/38492062?title=0&byline=0&portrait=0\" width=\"800\" height=\"450\" frameborder=\"0\" webkitAllowFullScreen mozallowfullscreen allowFullScreen><\/iframe>\n","comments_enabled":false,"comments":{"comments":[],"comments_loc":"\/Users\/gdunne\/_portfolio\/wwwcomments\/\/Users\/gdunne\/_portfolio\/www\/content\/naag\/","fileInfo":{},"_recaptcha_resp":null,"_recaptcha_error":null,"_comment_error":null},"cat":{"name":"","url":"\/\/"},"thumb":"media\/\/\/naag\/thumb.png","url":"\/naag","edit_url":"\/edit\/\/naag","media_dir":"media\/\/\/naag\/","media":{}},{"config":{"title":"clmpr","date":"may 24 2011","tags":"code web","gallery":"full"},"title":"clmpr","filename":"clmpr","path":"\/Users\/gdunne\/_portfolio\/www\/content\/clmpr","fileInfo":{},"timestamp":"1306220400","tags":["code","web"],"content":"<p>clmpr (clumper) is an open-source multi-user bookmarking engine, inspired by the original delicious. <\/p>\n\n<p>demo: <a href=\"http:\/\/clmpr.com\">clmpr.com<\/a><br \/>\nopensource: <a href=\"http:\/\/github.com\/quilime\/clmpr\">http:\/\/github.com\/quilime\/clmpr<\/a><\/p>\n","comments_enabled":false,"comments":{"comments":[],"comments_loc":"\/Users\/gdunne\/_portfolio\/wwwcomments\/\/Users\/gdunne\/_portfolio\/www\/content\/clmpr\/","fileInfo":{},"_recaptcha_resp":null,"_recaptcha_error":null,"_comment_error":null},"cat":{"name":"","url":"\/\/"},"thumb":"media\/\/\/clmpr\/thumb.png","url":"\/clmpr","edit_url":"\/edit\/\/clmpr","media_dir":"media\/\/\/clmpr\/","media":{"0":{"filename":"clmpr.png","local":"\/Users\/gdunne\/_portfolio\/www\/media\/\/\/clmpr\/clmpr.png","url":"\/media\/\/\/clmpr\/clmpr.png","extension":"png"}}},{"config":{"date":"April 2, 2011 5:26 PM","tags":"studio"},"title":"untitled","filename":"untitled","path":"\/Users\/gdunne\/_portfolio\/www\/content\/untitled","fileInfo":{},"timestamp":"1301790360","tags":["studio"],"content":"\n","comments_enabled":false,"comments":{"comments":[],"comments_loc":"\/Users\/gdunne\/_portfolio\/wwwcomments\/\/Users\/gdunne\/_portfolio\/www\/content\/untitled\/","fileInfo":{},"_recaptcha_resp":null,"_recaptcha_error":null,"_comment_error":null},"cat":{"name":"","url":"\/\/"},"thumb":"media\/\/\/untitled\/thumb.png","url":"\/untitled","edit_url":"\/edit\/\/untitled","media_dir":"media\/\/\/untitled\/","media":{"0":{"filename":"IMG_9999.jpg","local":"\/Users\/gdunne\/_portfolio\/www\/media\/\/\/untitled\/IMG_9999.jpg","url":"\/media\/\/\/untitled\/IMG_9999.jpg","extension":"jpg"}}},{"config":{"title":"ICOSI @ GAFFTA","date":"06 nov 2010","tags":"performance projection-mapping audiovisual"},"title":"ICOSI @ GAFFTA","filename":"icosi_gaffta","path":"\/Users\/gdunne\/_portfolio\/www\/content\/icosi_gaffta","fileInfo":{},"timestamp":"1289026800","tags":["performance","projection-mapping","audiovisual"],"content":"<p>06 Nov 2010 — <a href=\"http:\/\/gaffta.org\">GAFFTA<\/a> 55 Taylor Street, San Francisco<br \/>\n<a href=\"http:\/\/www.gaffta.org\/2010\/11\/03\/takes-on-sound-space-symposium-performances-this-saturday\/\">link<\/a><\/p>\n\n<p>Audio by Jeff Lubow<\/p>\n\n<iframe src=\"http:\/\/player.vimeo.com\/video\/17394178?title=0&byline=0&portrait=0\" width=\"500\" height=\"281\" frameborder=\"0\" webkitAllowFullScreen mozallowfullscreen allowFullScreen><\/iframe>\n","comments_enabled":false,"comments":{"comments":[],"comments_loc":"\/Users\/gdunne\/_portfolio\/wwwcomments\/\/Users\/gdunne\/_portfolio\/www\/content\/icosi_gaffta\/","fileInfo":{},"_recaptcha_resp":null,"_recaptcha_error":null,"_comment_error":null},"cat":{"name":"","url":"\/\/"},"thumb":"media\/\/\/icosi_gaffta\/thumb.png","url":"\/icosi_gaffta","edit_url":"\/edit\/\/icosi_gaffta","media_dir":"media\/\/\/icosi_gaffta\/","media":{}},{"config":{"title":"Seaquence","tags":"audio web code","date":"2010-10-04"},"title":"Seaquence","filename":"seaquence","path":"\/Users\/gdunne\/_portfolio\/www\/content\/seaquence","fileInfo":{},"timestamp":"1286175600","tags":["audio","web","code"],"content":"<p>Seaquence: A musical ecosystem.<\/p>\n\n<p><a href=\"http:\/\/seaquence.org\">seaquence.org<\/a><\/p>\n\n<p>(c) 2007-2012 Gabriel Dunne, Daniel Massey, Ryan Alexander<\/p>\n","comments_enabled":false,"comments":{"comments":[],"comments_loc":"\/Users\/gdunne\/_portfolio\/wwwcomments\/\/Users\/gdunne\/_portfolio\/www\/content\/seaquence\/","fileInfo":{},"_recaptcha_resp":null,"_recaptcha_error":null,"_comment_error":null},"cat":{"name":"","url":"\/\/"},"thumb":"media\/\/\/seaquence\/thumb.png","url":"\/seaquence","edit_url":"\/edit\/\/seaquence","media_dir":"media\/\/\/seaquence\/","media":{"0":{"filename":"2010-02-20 18.44.19.jpg","local":"\/Users\/gdunne\/_portfolio\/www\/media\/\/\/seaquence\/2010-02-20 18.44.19.jpg","url":"\/media\/\/\/seaquence\/2010-02-20 18.44.19.jpg","extension":"jpg"}}},{"config":{"title":"ICOSI Studio","date":"2010-07-07","tags":"studio form"},"title":"ICOSI Studio","filename":"icosi_studio","path":"\/Users\/gdunne\/_portfolio\/www\/content\/icosi_studio","fileInfo":{},"timestamp":"1278486000","tags":["studio","form"],"content":"<p><a href=\"http:\/\/www.flickr.com\/photos\/quilime\/4773799092\/\"><img src=\"http:\/\/farm5.static.flickr.com\/4140\/4773799092_75e68e4e66.jpg\" alt=\"img\" \/><\/a><br \/>\nAssembly test w\/stretched panels in the studio (just hanging).<\/p>\n\n<p><a href=\"http:\/\/www.flickr.com\/photos\/quilime\/4773722288\/in\/photostream\/\"><img src=\"http:\/\/farm5.static.flickr.com\/4123\/4773722288_dd579b9956.jpg\" alt=\"\" \/><\/a><br \/>\nAssembly test.<\/p>\n","comments_enabled":false,"comments":{"comments":[],"comments_loc":"\/Users\/gdunne\/_portfolio\/wwwcomments\/\/Users\/gdunne\/_portfolio\/www\/content\/icosi_studio\/","fileInfo":{},"_recaptcha_resp":null,"_recaptcha_error":null,"_comment_error":null},"cat":{"name":"","url":"\/\/"},"thumb":"media\/\/\/icosi_studio\/thumb.png","url":"\/icosi_studio","edit_url":"\/edit\/\/icosi_studio","media_dir":"media\/\/\/icosi_studio\/","media":{}},{"config":{"title":"ICOSI","date":"july 05 2010","tags":"audio visual projection-mapping installation"},"title":"ICOSI","filename":"icosi","path":"\/Users\/gdunne\/_portfolio\/www\/content\/icosi","fileInfo":{},"timestamp":"1278313200","tags":["audio","visual","projection-mapping","installation"],"content":"<p><img src=\"http:\/\/farm5.static.flickr.com\/4110\/4847387674_5419f0b672.jpg\" \/><\/p>\n\n<p><em>ICOSI<\/em> is an audio\/visual sculptural performance which was shown at the Biennial of the Americas, Denver CO, Jul 29 2010.<\/p>\n\n<p>Dimensions: 7.5' x 7.5' x 1'<\/p>\n\n<p>audio synthesis created with Ablton Live\/Max\/MSP, custom software (OPENGL, Processing). Wood and fabric projection surface.<\/p>\n\n<p>The software and audio toolset was developed from scratch for this performance. The performance dramatically split my focus into two places (music and visuals), which was a juggle that I didn't fully anticipate as I was developing the visual software on one split-screen before the performance. Inspired to continue pursuing interfaces and controllers to overcome the separation of creating audio and visuals simultaneously.<\/p>\n\n<p>The multiple mediums (sculpture, sound, visual media) of this particular project was fascinating. Each iteration represents a process of my own curiosities in technology, consciousness, spirituality, design, and fabrication.<\/p>\n\n<p>The piece represents my practice and experiences in regards to my own spiritual growth and experience. Geometrically, the form is inspired by sacred polyhedra that represent forms of transition. The choice of an <a href=\"http:\/\/en.wikipedia.org\/wiki\/Icosidodecahedron\">icosidodecahedron<\/a> represents transition of two frequencies, represented by an <a href=\"http:\/\/en.wikipedia.org\/wiki\/Icosahedron\">icosahedron<\/a> and its dual polyhedron, a <a href=\"http:\/\/en.wikipedia.org\/wiki\/Dodecahedron\">dodecahedron<\/a>.<\/p>\n\n<p>The form is composed of 7 panels trimmed and scaled from a full icosidodecahedron. The visuals follow the structure of the form nearly explicitly, with the exception of textural elements.<\/p>\n\n<p><iframe src=\"http:\/\/player.vimeo.com\/video\/14010409?title=0&byline=0&portrait=0\" width=\"500\" height=\"281\" frameborder=\"0\" webkitAllowFullScreen mozallowfullscreen allowFullScreen><\/iframe><\/p><\/p>\n\n<p><br \/>\n<br \/><\/p>\n\n<h4>performances<\/h4>\n\n<p>00 June 2010 — Biennial of the Americas<br \/>\n[link]<\/p>\n\n<p><br \/>\n<br \/><\/p>\n\n<p><a href=\"http:\/\/media.quilime.com\/files\/projects\/icosi\/gdunne_rider_diag.pdf\">technical rider<\/a><\/p>\n","comments_enabled":false,"comments":{"comments":[],"comments_loc":"\/Users\/gdunne\/_portfolio\/wwwcomments\/\/Users\/gdunne\/_portfolio\/www\/content\/icosi\/","fileInfo":{},"_recaptcha_resp":null,"_recaptcha_error":null,"_comment_error":null},"cat":{"name":"","url":"\/\/"},"thumb":"media\/\/\/icosi\/thumb.png","url":"\/icosi","edit_url":"\/edit\/\/icosi","media_dir":"media\/\/\/icosi\/","media":{}},{"config":{"title":"ICOSI Fabrication","date":"2010-07-01","tags":"studio fabrication"},"title":"ICOSI Fabrication","filename":"icosi_fab","path":"\/Users\/gdunne\/_portfolio\/www\/content\/icosi_fab","fileInfo":{},"timestamp":"1277967600","tags":["studio","fabrication"],"content":"<p>Fabrication process for ICOSI projection surface. The form is a section of an icosidodecahedron (scaled on the z-axis by 0.5).<\/p>\n\n<p><a href=\"http:\/\/www.flickr.com\/photos\/quilime\/4743498955\/\" title=\"view on flickr\">\n<img src=\"http:\/\/farm5.static.flickr.com\/4077\/4743498955_d8d524bd27.jpg\" \/><\/a>\n<br \/>\nA laser-cut a small working model.<\/p>\n\n<p><a href=\"http:\/\/www.flickr.com\/photos\/quilime\/4744981890\/\" title=\"view on flickr\"><img src=\"http:\/\/farm5.static.flickr.com\/4142\/4744981890_2a41c9f374.jpg\" \/><\/a><br \/>\nCustom jig for slicing the angles.<\/p>\n\n<p><a href=\"http:\/\/www.flickr.com\/photos\/quilime\/4769443639\/in\/photostream\/\"><img src=\"http:\/\/farm5.static.flickr.com\/4076\/4769443639_728b077b3a.jpg\" \/><\/a><br \/>\nPriming the panels, readying them to be stretched with screen-fabric.<\/p>\n","comments_enabled":false,"comments":{"comments":[],"comments_loc":"\/Users\/gdunne\/_portfolio\/wwwcomments\/\/Users\/gdunne\/_portfolio\/www\/content\/icosi_fab\/","fileInfo":{},"_recaptcha_resp":null,"_recaptcha_error":null,"_comment_error":null},"cat":{"name":"","url":"\/\/"},"thumb":"media\/\/\/icosi_fab\/thumb.png","url":"\/icosi_fab","edit_url":"\/edit\/\/icosi_fab","media_dir":"media\/\/\/icosi_fab\/","media":{}},{"config":{"title":"Stars","date":"sep 20 2009","tags":"code audiovisual"},"title":"Stars","filename":"stars","path":"\/Users\/gdunne\/_portfolio\/www\/content\/stars","fileInfo":{},"timestamp":"1253430000","tags":["code","audiovisual"],"content":"<p>An exploration of infinite\/finite space. The viewer transitions between macro and micro environments of mathematically infinite scale. As the viewer moves through multiple spaces, their scope and perspective widens and transcends while space becomes infinitely big and infinitely small simultaneously.<\/p>\n\n<p>Created with custom software written in c++, audio routed through Ableton Live and MaxMSP<\/p>\n\n<p><img style=\"width:100%;\" src=\"http:\/\/portfolio.quilime.com\/new\/content\/04_Stars\/images\/astars.01577.png\"><\/p>\n\n<p>An exploration of infinite\/finite space. The user transitions between macro and micro environments of mathematically infinite scale, limited only by computer processing power. As the viewer moves through multiple spaces, their scope and perspective widends and transcends while space becoms infinitely big and infinitely small simultaneously.<\/p>\n\n<p><em>medium: software<\/em><\/p>\n\n<!--more-->\n\n<p><img style=\"width:100%;\" src=\"http:\/\/portfolio.quilime.com\/new\/content\/04_Stars\/images\/astars.10535.png\"><\/p>\n\n<p><br \/><\/p>\n\n<p><img style=\"width:100%;\" src=\"http:\/\/portfolio.quilime.com\/new\/content\/04_Stars\/images\/astars.20144.png\"><\/p>\n\n<p><br \/><\/p>\n\n<p><img style=\"width:100%;\" src=\"http:\/\/portfolio.quilime.com\/new\/content\/04_Stars\/images\/astars.png\"><\/p>\n\n<p><br \/><\/p>\n\n<p><img style=\"width:100%;\" src=\"http:\/\/portfolio.quilime.com\/new\/content\/04_Stars\/images\/god.0027.png\"><\/p>\n\n<p><br \/><\/p>\n\n<p><img style=\"width:100%;\" src=\"http:\/\/portfolio.quilime.com\/new\/content\/04_Stars\/images\/god.0135.png\"><\/p>\n\n<p><br \/><\/p>\n\n<p><img style=\"width:100%;\" src=\"http:\/\/portfolio.quilime.com\/new\/content\/04_Stars\/images\/god.0253.png\"><\/p>\n\n<p><br \/><\/p>\n\n<p><img style=\"width:100%;\" src=\"http:\/\/portfolio.quilime.com\/new\/content\/04_Stars\/images\/god.0385.png\"><\/p>\n\n<p><br \/><\/p>\n\n<p><img style=\"width:100%;\" src=\"http:\/\/portfolio.quilime.com\/new\/content\/04_Stars\/images\/god.0498.png\"><\/p>\n\n<p><br \/><\/p>\n\n<p><img style=\"width:100%;\" src=\"http:\/\/portfolio.quilime.com\/new\/content\/04_Stars\/images\/god.0710.png\"><\/p>\n\n<p><br \/><\/p>\n\n<p><img style=\"width:100%;\" src=\"http:\/\/portfolio.quilime.com\/new\/content\/04_Stars\/images\/god.0898.png\"><\/p>\n","content_short":"<p>An exploration of infinite\/finite space. The viewer transitions between macro and micro environments of mathematically infinite scale. As the viewer moves through multiple spaces, their scope and perspective widens and transcends while space becomes infinitely big and infinitely small simultaneously.<\/p>\n\n<p>Created with custom software written in c++, audio routed through Ableton Live and MaxMSP<\/p>\n\n<p><img style=\"width:100%;\" src=\"http:\/\/portfolio.quilime.com\/new\/content\/04_Stars\/images\/astars.01577.png\"><\/p>\n\n<p>An exploration of infinite\/finite space. The user transitions between macro and micro environments of mathematically infinite scale, limited only by computer processing power. As the viewer moves through multiple spaces, their scope and perspective widends and transcends while space becoms infinitely big and infinitely small simultaneously.<\/p>\n\n<p><em>medium: software<\/em><\/p>\n","comments_enabled":false,"comments":{"comments":[],"comments_loc":"\/Users\/gdunne\/_portfolio\/wwwcomments\/\/Users\/gdunne\/_portfolio\/www\/content\/stars\/","fileInfo":{},"_recaptcha_resp":null,"_recaptcha_error":null,"_comment_error":null},"cat":{"name":"","url":"\/\/"},"thumb":"media\/\/\/stars\/thumb.png","url":"\/stars","edit_url":"\/edit\/\/stars","media_dir":"media\/\/\/stars\/","media":{}},{"config":{"date":"02\/02\/2009","title":"Synonymovement","tags":"audiovisual code"},"title":"Synonymovement","filename":"synonymovement","path":"\/Users\/gdunne\/_portfolio\/www\/content\/synonymovement","fileInfo":{},"timestamp":"1233561600","tags":["audiovisual","code"],"content":"<p><br \/>\n<span class=\"caption\">\naudio\/visual software, video installation<br \/>\nc++, openGL, ableton live, max\/msp\n<\/span><\/p>\n","comments_enabled":false,"comments":{"comments":[],"comments_loc":"\/Users\/gdunne\/_portfolio\/wwwcomments\/\/Users\/gdunne\/_portfolio\/www\/content\/synonymovement\/","fileInfo":{},"_recaptcha_resp":null,"_recaptcha_error":null,"_comment_error":null},"cat":{"name":"","url":"\/\/"},"thumb":"media\/\/\/synonymovement\/thumb.png","url":"\/synonymovement","edit_url":"\/edit\/\/synonymovement","media_dir":"media\/\/\/synonymovement\/","media":{}},{"config":{"title":"Rattle","date":"2008-05-02","tags":"audiovisual code"},"title":"Rattle","filename":"rattle","path":"\/Users\/gdunne\/_portfolio\/www\/content\/rattle","fileInfo":{},"timestamp":"1209711600","tags":["audiovisual","code"],"content":"<iframe src=\"http:\/\/player.vimeo.com\/video\/978557?title=0&byline=0&portrait=0\" width=\"500\" height=\"377\" frameborder=\"0\" webkitAllowFullScreen mozallowfullscreen allowFullScreen><\/iframe>\n\n<p>an interactive rattle<br \/>\nbuilt with Processing, ChucK, controlled with a WiiMote<\/p>\n","comments_enabled":false,"comments":{"comments":[],"comments_loc":"\/Users\/gdunne\/_portfolio\/wwwcomments\/\/Users\/gdunne\/_portfolio\/www\/content\/rattle\/","fileInfo":{},"_recaptcha_resp":null,"_recaptcha_error":null,"_comment_error":null},"cat":{"name":"","url":"\/\/"},"thumb":"media\/\/\/rattle\/thumb.png","url":"\/rattle","edit_url":"\/edit\/\/rattle","media_dir":"media\/\/\/rattle\/","media":{}},{"config":{"title":"Prism","date":"2007-08-23","tags":"sketch form"},"title":"Prism","filename":"prism","path":"\/Users\/gdunne\/_portfolio\/www\/content\/prism","fileInfo":{},"timestamp":"1187852400","tags":["sketch","form"],"content":"<p>oil on canvas. 4' x 3'<\/p>\n","comments_enabled":false,"comments":{"comments":[],"comments_loc":"\/Users\/gdunne\/_portfolio\/wwwcomments\/\/Users\/gdunne\/_portfolio\/www\/content\/prism\/","fileInfo":{},"_recaptcha_resp":null,"_recaptcha_error":null,"_comment_error":null},"cat":{"name":"","url":"\/\/"},"thumb":"media\/\/\/prism\/thumb.png","url":"\/prism","edit_url":"\/edit\/\/prism","media_dir":"media\/\/\/prism\/","media":{"0":{"filename":"3.jpg","local":"\/Users\/gdunne\/_portfolio\/www\/media\/\/\/prism\/3.jpg","url":"\/media\/\/\/prism\/3.jpg","extension":"jpg"},"1":{"filename":"thumb.png","local":"\/Users\/gdunne\/_portfolio\/www\/media\/\/\/prism\/thumb.png","url":"\/media\/\/\/prism\/thumb.png","extension":"png"}}},{"config":{"date":"2007-07-02","tags":"sketch","title":"Mask"},"title":"Mask","filename":"mask","path":"\/Users\/gdunne\/_portfolio\/www\/content\/mask","fileInfo":{},"timestamp":"1183359600","tags":["sketch"],"content":"<p>graphite on plywood. 12\" x 12\"<\/p>\n","comments_enabled":false,"comments":{"comments":[],"comments_loc":"\/Users\/gdunne\/_portfolio\/wwwcomments\/\/Users\/gdunne\/_portfolio\/www\/content\/mask\/","fileInfo":{},"_recaptcha_resp":null,"_recaptcha_error":null,"_comment_error":null},"cat":{"name":"","url":"\/\/"},"thumb":"media\/\/\/mask\/thumb.png","url":"\/mask","edit_url":"\/edit\/\/mask","media_dir":"media\/\/\/mask\/","media":{"0":{"filename":"mask.jpg","local":"\/Users\/gdunne\/_portfolio\/www\/media\/\/\/mask\/mask.jpg","url":"\/media\/\/\/mask\/mask.jpg","extension":"jpg"},"1":{"filename":"thumb.png","local":"\/Users\/gdunne\/_portfolio\/www\/media\/\/\/mask\/thumb.png","url":"\/media\/\/\/mask\/thumb.png","extension":"png"}}},{"config":{"title":"Web","date":"jun 4 2007","tags":"code"},"title":"Web","filename":"web","path":"\/Users\/gdunne\/_portfolio\/www\/content\/web","fileInfo":{},"timestamp":"1180940400","tags":["code"],"content":"<p>A network of dots and lines interacts with itself in a single mesh. Depth determines audio volume. Intersections, connections and line-length determine tones. Similar tones and chord groups are designated with additional web lines and connections. Each web line generates a tone that resonates its connections.<\/p>\n\n<p>Based on visual effect code written <a href=\"http:\/\/jtnimoy.com\">jtnimoy<\/a>.<\/p>\n\n<p>written in c++<\/p>\n\n<p><img style=\"width:100%;\" src=\"http:\/\/portfolio.quilime.com\/new\/content\/06_Web\/images\/web.0645.png\"><\/p>\n\n<!--more-->\n\n<p><img style=\"width:100%;\" src=\"http:\/\/portfolio.quilime.com\/new\/content\/06_Web\/images\/web.1336.png\"><\/p>\n\n<p><br \/><\/p>\n\n<p><img style=\"width:100%;\" src=\"http:\/\/portfolio.quilime.com\/new\/content\/06_Web\/images\/web.2533.png\"><\/p>\n\n<p><br \/><\/p>\n\n<p><img style=\"width:100%;\" src=\"http:\/\/portfolio.quilime.com\/new\/content\/06_Web\/images\/zforest.0105.png\"><\/p>\n\n<p><br \/><\/p>\n\n<p><img style=\"width:100%;\" src=\"http:\/\/portfolio.quilime.com\/new\/content\/06_Web\/images\/zforest.0327.png\"><\/p>\n\n<p><br \/><\/p>\n\n<p><img style=\"width:100%;\" src=\"http:\/\/portfolio.quilime.com\/new\/content\/06_Web\/images\/zforest.0619.png\"><\/p>\n","content_short":"<p>A network of dots and lines interacts with itself in a single mesh. Depth determines audio volume. Intersections, connections and line-length determine tones. Similar tones and chord groups are designated with additional web lines and connections. Each web line generates a tone that resonates its connections.<\/p>\n\n<p>Based on visual effect code written <a href=\"http:\/\/jtnimoy.com\">jtnimoy<\/a>.<\/p>\n\n<p>written in c++<\/p>\n\n<p><img style=\"width:100%;\" src=\"http:\/\/portfolio.quilime.com\/new\/content\/06_Web\/images\/web.0645.png\"><\/p>\n","comments_enabled":false,"comments":{"comments":[],"comments_loc":"\/Users\/gdunne\/_portfolio\/wwwcomments\/\/Users\/gdunne\/_portfolio\/www\/content\/web\/","fileInfo":{},"_recaptcha_resp":null,"_recaptcha_error":null,"_comment_error":null},"cat":{"name":"","url":"\/\/"},"thumb":"media\/\/\/web\/thumb.png","url":"\/web","edit_url":"\/edit\/\/web","media_dir":"media\/\/\/web\/","media":{}}]}
\ No newline at end of file
-{"tags":{"structure":1,"visual":6,"code":8,"performance":1,"studio":2,"installation":3,"audio":6,"projection":3,"sculpture":1,"public-space":1,"web":2,"sketch":2}}
\ No newline at end of file
+{"tags":{"structure":1,"visual":3,"code":8,"performance":2,"studio":4,"installation":3,"audio":3,"projection-mapping":3,"sculpture":1,"public-space":1,"web":2,"audiovisual":4,"form":2,"fabrication":1,"sketch":2}}
\ No newline at end of file
+++ /dev/null
-template = page\r
---\r
-\r
-\r
-**exhibition / performance** \r
-2012 CCRMA Show. Live Visuals. \r
-2012 Creators Project SF, San Francisco. "Audio Shader Toy", Installation (collab w/Ryan Alexander, Reza Ali). \r
-2012 India Art Fair, Delhi, India. Collaboration with Vishal K Dar. \r
-2011 Sepalcure, Shigeto, Simple & Santa, GAFFTA, San Francisco. Live visuals. <a href="http://www.gaffta.org/2011/03/01/sepalcure-shigeto-simple-santa/">→</a> \r
-2010 Milieux Sonores: Sound and Imaginary Space, GAFFTA, San Francisco. Live A/V performance. \r
-2010 Biennial of the Americas, Denver CO USA. \r
-2010 Seaquence, GAFFTA, San Francisco CA USA. (collab w/Ryan Alexander, Daniel Massey) \r
-2010 Prototype, GAFFTA, San Francisco CA USA. \r
-2010 Powers of Ten, GAFFTA. Installation. (collab w/Stephanie Sherriff) \r
-2008 Design and the Elastic Mind, MoMA NYC Permanent Collection. (Stamen Design). \r
-2006 Interferenze: Naturalis Electronica, Valle Caudina, Italy. \r
-2006 Festival Sonar, Barcelona, Spain \r
-2006 SIGGRAPH, Boston \r
-2005 SIGGRAPH, Los Angeles \r
-2005 :Output International Design Competition, Amsterdam, Netherlands \r
-2005 CiberArt: International Festival of New Technologies, Bilbao, Spain \r
-2003 Sur(Face), Design Media Arts EDA, Los Angeles, CA \r
-2003 Eyberrations Digital Film Festival, Irvine, CA \r
-2002 Melbourne International Film Festival", Melbourne, Australia \r
-2002 Experimental Works On Paper, Rennes, France \r
-2002 Jaquez Gallery Collection, Pont Aven, France.\r
-2002 UCLA DMA Winter Student Show, Los Angeles CA\r
-<br />\r
-<br />\r
-\r
-\r
-\r
-**residencies / collaborations** \r
-2011—2012 Studio Collaboration w/ Studio Vishal K. Dar, New Delhi, India. \r
-2009—2010 Residency, Gray Area Foundation for the Arts, San Francisco\r
-<br />\r
-<br />\r
-\r
-\r
-\r
-\r
-\r
-**edu** \r
-2003 B.A. Design | Media Arts, UCLA \r
-2001 Pont Aven School of Art, France \r
-1999 College of Marin, Architecture\r
-<br />\r
-<br />\r
-\r
-\r
-\r
-\r
-**teaching/advisory** \r
-2012 Film/Code Remix (Youth Program, BAVC, San Francisco), co-teach with Jonathan McIntosh. 1 yr. \r
-2011 Creative Code (Youth Program, BAVC, San Francisco), 1 yr. \r
-2011 Processing 101 Workshop(Certificate Program, Gray Area, San Francisco), 2 wk \r
-2010 Open Source (Youth Program, BAVC, San Francisco), 1 yr. \r
-2010 Creative Coding: An Introduction to Processing (Gray Area, San Francisco), 2 wk \r
-2009 Creative Coding (Gray Area, San Francisco), 2 wek \r
-2009 Introduction to Processing (Gray Area, San Francisco), weekend \r
-2007 Processing (Makers Faire, San Mateo), 2 hr \r
-2005 Programming and Design (UCLA student workshops, Los Angeles), 1 semester \r
-2004 Maya Workshop Series (UCLA, Los Angeles), 1 semester \r
-2003 Typography Workshop Series (UCLA, Los Angeles), 1 day \r
-2003 Adobe Software Workshops, Photoshop/Illustrator/After Effects (UCLA, Los Angeles), Lead Instructor, 1 day each \r
-2002 Macromedia Design Student Workshops (UCLA, Los Angeles), 1 day\r
-<br />\r
-<br />\r
-\r
-\r
-\r
-\r
-**professional activity** \r
-2010—cur Bay Area Video Coalition, Youth Instructor \r
-2005—cur Tessellated Group, Designer \r
-<!--1999—cur Studio Gabriel Dunne -->\r
-2009—2010 Gray Area Foundation for the Arts, Studio Director/Resident Artist \r
-2007—2008 Stamen Design, Designer, Data Visualization \r
-2007—2008 Google, Inc, Designer, Data Visualization \r
-2004—2006 Motion Theory: Animator, Designer, Code \r
-<br />\r
-<br />\r
-\r
-\r
-\r
-**talks** \r
-2010 "Prototype" Resident Artist Symposium, Gray Area, San Francisco \r
-2004 Text + Architecture & Writing in Architecture, SCIARC, Los Angeles \r
-2003 narr@tive: Digital Storytelling, Hammer Museum, Los Angeles\r
-<br />\r
-<br />\r
-\r
-<!--\r
-\r
-**websites** \r
-2011 Duran Duran "All You Need Is Now" http://now.gaffta.org \r
-2010 Seaquence http://seaquence.org \r
-2007 Motion Theory [link]\r
-<br />\r
-<br />\r
-\r
-**commercials** \r
-Budwieser "Superbowl", Motion Theory \r
-Budwieser "The Game", Motion Theory \r
-Nike "One", Motion Theory\r
-<br />\r
-<br />\r
-\r
-**shorts** \r
-RestFest 2003 Opener, Motion Theory \r
-The Mirror\r
-<br />\r
-<br />\r
-\r
-**music videos** \r
-Beck "Girl", Motion Theory \r
-Papa Roach "Getting Away With Murder", Motion Theory\r
-<br />\r
-<br />\r
-\r
--->\r
-\r
-\r
-**print / tv / radio** \r
-Creators Project \r
-Art College Radio SF \r
-MIT Aerospace Annual \r
-A'minima #17 \r
-FOCUS Italia, May Issue \r
-Discover Magazine \r
-Wired \r
-Adult Swim, Cartoon Network \r
-Contemporary Art of Science and Technology \r
-AD: Architectural Digest \r
-HDRI Magazine\r
-<br />\r
-<br />\r
-\r
-\r
-<!--\r
-**awards** \r
-Creative Review Best in Show 2005, Beck "Girl" \r
-Type Directors Award, Nike "Golf" \r
-AIGA, Hewlett Packard "It Consolidates" \r
-AICP, Hewlett Packard "Hands" \r
-Screen Network Australia Best in Show \r
-Shorttakes Film Festival, Best Visual Effects\r
-<br />\r
-<br />\r
--->\r
-\r
template = page\r
--\r
+\r
studio@gabrieldunne.com \r
\r
+1242 Market St FL 2 \r
+San Francisco, CA 94102 \r
+\r
++1 415 XXX XXX\r
+\r
+<br />\r
+<br />\r
+\r
+\r
+mailing list \r
+<input type="text" value="you@email.com" style="color:#999;" onFocus="if(this.value=='you@email.com') { this.value=''; this.style.color='#000'; } else { return false; }">\r
+<input type="button" value="subscribe">\r
+<input type="button" value="unsubscribe">\r
+\r
+<br />\r
<br />\r
\r
<form action="" type="POST">\r
</p>\r
\r
<p>\r
-<lable>email</label><br />\r
-<input type="text" name="email">\r
+<lable>company / organization</label><br />\r
+<input type="text" name="org">\r
+</p>\r
+\r
+<p>\r
+<lable>phone number</label><br />\r
+<input type="text" name="phone">\r
</p>\r
\r
<p>\r
-<lable>subject</label><br />\r
-<input type="text" name="subject">\r
+<lable>email</label><br />\r
+<input type="text" name="email">\r
</p>\r
\r
<p>\r
-<lable>message</label><br />\r
+<lable>questions or comments</label><br />\r
<textarea style="width:250px;height:100px;"></textarea>\r
\r
<br />\r
--- /dev/null
+template = page\r
+--\r
+\r
+**residencies** \r
+2011—2012 Studio Collaboration w/ Vishal K. Dar, New Delhi, India. \r
+2009—2010 Gray Area Foundation for the Arts (GAFFTA), San Francisco\r
+<br />\r
+<br />\r
+\r
+\r
+**professional activity** \r
+2010—cur Bay Area Video Coalition (BAVC). Instructor \r
+2005—cur Tessellated Group. Designer \r
+<!--1999—cur Studio Gabriel Dunne -->\r
+2009—2010 Gray Area Foundation for the Arts (GAFFTA). Resident/Studio Director \r
+2008—2009 Stamen Design. Software Design and Programming, Data Visualization \r
+2007—2008 Google, Inc. Software Design and Programming, Data Visualization \r
+2004—2006 Motion Theory. Animator, Designer, Software Lead\r
+<br />\r
+<br />\r
+\r
+\r
+**edu** \r
+2003 B.A. Design | Media Arts, UCLA \r
+2001 Pont Aven School of Art, France (summer) \r
+1999 College of Marin, Architecture\r
+<br />\r
+<br />\r
+\r
+**exhibition / performance** \r
+2012 LVP @ UP Festival, San Francisco, CA \r
+2012 LVP @ CCRMA 2012, San Francisco, CA \r
+2012 LVP @ GAFFTA 2012, San Francisco, CA \r
+2012 "Audio ShaderToy", collab w/ Ryan Alexander, Reza Ali @ Creators Project SF, San Francisco, CA \r
+2012 "NAAG", collab w/ Vishal K Dar. Delhi, India \r
+2011 LVP GAFFTA, Sepalcure, Shigeto, Simple & Santa @ GAFFTA, San Francisco, CA <a href="http://www.gaffta.org/2011/03/01/sepalcure-shigeto-simple-santa/">→</a> \r
+2010 "ICOSI", Milieux Sonores: Sound and Imaginary Space, GAFFTA, San Francisco, CA \r
+2010 "ICOSI", Biennial of the Americas. Denver, CO \r
+2010 "Monad", Prototype, GAFFTA, San Francisco CA \r
+2010 Powers of Ten, collab w/Stephanie Sherriff, GAFFTA, San Francisco, CA \r
+2010 "Seaquence", collab w/Ryan Alexander, Daniel Massey, GAFFTA, San Francisco CA \r
+2008 "Cabspotting", Stamen Design, Design and the Elastic Mind, MoMA NYC Permanent Collection. New York \r
+2006 "Celestial Mechanics", collab w/Scott Hessels, Interferenze: Naturalis Electronica, Valle Caudina, Italy \r
+2006 "Celestial Mechanics", collab w/Scott Hessels, Festival Sonar, Barcelona, Spain \r
+2006 SIGGRAPH, Boston, MA \r
+2005 SIGGRAPH, Los Angeles, CA \r
+2005 :Output Festival, Amsterdam, Netherlands \r
+2005 CiberArt: International Festival of New Technologies, Bilbao, Spain \r
+2003 Sur(Face), Design Media Arts EDA, Los Angeles, CA \r
+2003 Eyberrations Digital Film Festival, Irvine, CA \r
+2002 Melbourne International Film Festival, Melbourne, Australia \r
+2002 Experimental Works On Paper, Rennes, France \r
+2002 Jaquez Gallery Collection, Pont Aven, France \r
+2002 UCLA Winter DMA Student Show, Los Angeles, CA \r
+<br />\r
+<br />\r
+\r
+\r
+**talks / teaching / workshops** \r
+2012 Film/Code Remix, collab w/ Jonathan McIntosh. BAVC, San Francisco. 1 yr. \r
+2012 Processing, Symantic, ACCU \r
+2012 Processing, ACCU Davis Linux Users Group, Davis, CA \r
+2011 Open Source: Coding Creative Apps. BAVC, San Francisco, 1 yr. \r
+2011 Processing 101 Workshop, GAFFTA, San Francisco, 2 wk \r
+2010 Open Source: Coding. BAVC, San Francisco, 1 yr. \r
+2010 Prototype: Resident Artist Symposium, GAFFTA, San Francisco \r
+2010 Creative Coding: An Introduction to Processing , GAFFTA, San Francisco, 2 wk \r
+2009 Creative Coding, GAFFTA, San Francisco, 2 wek \r
+2009 Introduction to Processing, GAFFTA, San Francisco, wkend \r
+2007 Processing, collab w/ Aaron Koblin. Makers Faire, San Mateo, 2 hr \r
+2005 Programming and Design, UCLA student workshops, Los Angeles, 1 semester \r
+2004 Maya Workshop Series, UCLA, Los Angeles, 1 semester \r
+2003 Typography Workshop Series, UCLA, Los Angeles, 1 day \r
+2003 Adobe Software Workshops, Maya/Photoshop/Illustrator/After Effects. UCLA, Los Angeles \r
+2002 Flash/Director Workshop, UCLA, Los Angeles\r
+<br />\r
+<br />\r
+\r
+\r
+**media / publications** \r
+Creators Project \r
+Art College Radio SF \r
+MIT Aerospace Annual \r
+A'minima #17 \r
+FOCUS Italia, May Issue \r
+Discover Magazine \r
+Wired \r
+Adult Swim \r
+Contemporary Art of Science and Technology \r
+AD: Architectural Digest \r
+HDRI Magazine\r
+<br />\r
+<br />\r
+\r
+\r
+\r
+<!--\r
+**awards** \r
+Creative Review Best in Show 2005, Beck "Girl" \r
+Type Directors Award, Nike "Golf" \r
+AIGA, Hewlett Packard "It Consolidates" \r
+AICP, Hewlett Packard "Hands" \r
+Screen Network Australia Best in Show \r
+Shorttakes Film Festival, Best Visual Effects\r
+<br />\r
+<br />\r
+\r
+\r
+2004 Text + Architecture & Writing in Architecture, SCIARC, Los Angeles \r
+2003 narr@tive: Digital Storytelling, Hammer Museum, Los Angeles\r
+\r
+**websites** \r
+2011 Duran Duran "All You Need Is Now" http://now.gaffta.org \r
+2010 Seaquence http://seaquence.org \r
+2007 Motion Theory [link]\r
+<br />\r
+<br />\r
+\r
+**commercials** \r
+Budwieser "Superbowl", Motion Theory \r
+Budwieser "The Game", Motion Theory \r
+Nike "One", Motion Theory\r
+<br />\r
+<br />\r
+\r
+**shorts** \r
+RestFest 2003 Opener, Motion Theory \r
+The Mirror\r
+<br />\r
+<br />\r
+\r
+**music videos** \r
+Beck "Girl", Motion Theory \r
+Papa Roach "Getting Away With Murder", Motion Theory\r
+<br />\r
+<br />\r
+\r
+-->\r
+\r
+\r
+\r
+\r
--- /dev/null
+title = links
+--
+
+[quilime.com](http://quilime.com) experiments, blog
+<br />
+<br />
+
++ [onecm.com](http://onecm.com) ryan alexander
++ [ripevessel.com](http://ripevessel.com) adam roth
++ [ssherriff.com](http://ssherriff.com) stephanie sherriff
++ [jtnimoy.net](http://jtnimoy.net) joshua nimoy
++ [dabkitsch.com/jml/](http://dabkitsch.com/jml/) jeff lubow
++ [oddsympathy.com](http://oddsympathy.com) daniel massey
++ [keithpasko.com](http://keithpasko.com) keith pasko
++ [pointlinesurface.com](http://www.pointlinesurface.com/) cullen miller
++ [carbonworkshop.com](http://carbonworkshop.com) shelly brown + gustavo huber
++ [renataraksha.com](http://blog.renataraksha.com/) renata raksha
++ [mylinhtrieu.com](http://mylinhtrieu.com) mylinh trieu
++ [ghost-hack.com](http://ghost-hack.com) michael chang
++ [pohflepp.com](http://pohflepp.com) sascha pohflep
++ [universaloscillation.com](http://universaloscillation.com) aaron meyers
++ [aaronkoblin.com](http://aaronkoblin.com) aaron koblin
++ [tom-carden.co.uk](http://tom-carden.co.uk) tom carden
++ [mike.teczno.co](http://mike.teczno.com) michal migurski
++ [stamen.com](http://stamen.com) stamen design
++ [davidrager.org](http://davidrager.org) david rager
++ [digitanalog.net](http://digitanalog.net) marc nimoy
++ [makaga.com](http://makaga.com) matthew gale
++ [fredericeyl.de](http://fredericeyl.de) frédéric eyl
++ [thegreeneyl.com](http://thegreeneyl.com) The Green Eyl
++ [gaffta.org](http://gaffta.org) gray area foundation for the arts
++ [bavc.org](http://bavc.org) bay area video coalition
+
ul.tags {
padding:1em;
+ margin-right:2em;
+ float:left;
margin-bottom:2em;
}
ul.tags a {
color:#777;
}
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+ float:left;
font-size: 130%;
}
ul.entries li {
<? endforeach; ?>
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-
-
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<? $this->include_template('footer.html.tpl') ?>
git.quilime.com / plog.git / commitdiff