--- /dev/null
+---
+date: 1999-04-20
+title: quilime.com
+categories: code
+layout: post
+---
+
+[quilime.com](https://quilime.com) is the first URL I ever registered (in 1999), and has operated as an experimental web playground, a portfolio, project hub, and code blog over the years.
+
+These days it consists of open source projects, code snippets, and command line notes.
+
+[](https://quilime.com)
--- /dev/null
+---
+title: github
+date: 2008-01-01
+categories: code
+layout: post
+---
+
+View more public code projects on [Github](https://github.com/quilime)
+
+[](https://github.com/quilime)
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\r
\r
\r
-audiovisual performance, installation \r
-7' x 7' x 1' projection-mapped sculpture, stereo audio \r
-Processing, Java, OpenGL, Ableton Live, MaxMSP\r
+- audiovisual performance, installation \r
+- 7' x 7' x 1' projection-mapped sculpture, stereo audio \r
+- Processing/Java, OpenGL, Ableton Live, MaxMSP\r
+\r
+ICOSI represents my practice and experiences in regards to my own growth and experience. Geometrically, the form is inspired by sacred polyhedra that represent forms of transition. The form is composed of 7 panels trimmed and scaled from a full icosidodecahedron. The choice of an [icosidodecahedron](http://en.wikipedia.org/wiki/Icosidodecahedron) represents transition of two forms and frequencies, represented by an [icosahedron](http://en.wikipedia.org/wiki/Icosahedron) and its dual polyhedron, a [dodecahedron](http://en.wikipedia.org/wiki/Dodecahedron). \r
+\r
+Software and audio toolsets for ICOSI are procedurally generated from the form. A factor I didn't anticipate was how this project dramatically split my focus into two realms (sound and visuals), which was a juggle that I didn't anticipate as I was developing the visual software on one split-screen before the performance. My goal was to create a unified performance tool, yet still resulted in a focus split. I am inspired to continue pursuing interfaces and controllers to overcome the separation of creating audio and visuals simultaneously.\r
+\r
+The multiple mediums (sculpture, sound, visual media) of this particular project was fascinating. Each iteration represents a process of my curiosities in technology, consciousness, spirituality, design, and fabrication.\r
+\r
+### exhibitions\r
+\r
+- Nov 06 2010 [Takes on Sound & Space](http://www.gaffta.org/2010/11/03/takes-on-sound-space-symposium-performances-this-saturday/), live w/Jeff Lubow. \r
+- Jul 29 2010 Biennial of the Americas, Denver CO\r
+\r
\r
\r
\r
\r
more photos on [flickr](https://www.flickr.com/photos/quilime/sets/72157624499344281/)\r
\r
-## Process\r
\r
-\r
\r
-The form is composed of 7 panels trimmed and scaled from a full icosidodecahedron. The piece represents my practice and experiences in regards to my own growth and experience. Geometrically, the form is inspired by sacred polyhedra that represent forms of transition. The choice of an [icosidodecahedron](http://en.wikipedia.org/wiki/Icosidodecahedron) represents transition of two forms and frequencies, represented by an [icosahedron](http://en.wikipedia.org/wiki/Icosahedron) and its dual polyhedron, a [dodecahedron](http://en.wikipedia.org/wiki/Dodecahedron).\r
+## Process\r
\r
+\r
\r
-\r
-Software and audio toolsets for ICOSI are procedurally generated from the form. A factor I didn't anticipate was how this project dramatically split my focus into two realms (sound and visuals), which was a juggle that I didn't anticipate as I was developing the visual software on one split-screen before the performance. My goal was to create a unified performance tool, yet still resulted in a focus split. I am inspired to continue pursuing interfaces and controllers to overcome the separation of creating audio and visuals simultaneously.\r
-\r
-The multiple mediums (sculpture, sound, visual media) of this particular project was fascinating. Each iteration represents a process of my curiosities in technology, consciousness, spirituality, design, and fabrication.\r
-\r
-\r
\r
\r
\r
<img src="http://gabrieldunne.com/content/projects/icosi/pics/1_icosigdunne-e1288810334434.jpg" /> \r
-->\r
\r
-\r
-\r
-\r
-\r
\r
## Software Control Schema\r
sends\r
\r
\r
\r
-\r
-\r
\r
-\r
\r
\r
-### performances\r
-\r
-Nov 06 2010 [Takes on Sound & Space](http://www.gaffta.org/2010/11/03/takes-on-sound-space-symposium-performances-this-saturday/), live \r
-visual performance with music by Jeff Lubow. \r
-\r
-Jul 29 2010 Biennial of the Americas, Denver CO\r
\r
## Rider\r
\r
excerpt: sculpture and visuals for live performance\r
---\r
\r
+<iframe src="//player.vimeo.com/video/95701630?title=0&byline=0&portrait=0&color=866c9e" width="600" height="337" frameborder="0" webkitallowfullscreen mozallowfullscreen allowfullscreen></iframe>\r
+\r
+### Vatica Dahlia - "Rites" \r
+ \r
+"Ritual is the primary method of programming the human organism."\r
+\r
+- Sam Webster\r
+\r
+Much like creating a piece of software, a ritual is crafted procedurally and when compiled correctly, there are results based upon what constituted the contents of the procedure. Vatica Dahlia's Rites is a custom time-based system designed to port, compress, and obfuscate the Knowledge that has been handed down throughout the ages by the mages, sages, shamans, and initiates. Structured into ten distinct Chapters, each element utilizes a combination of networked performance, spatial sound, projection-mapped architecture, fashion, and ceremonial magic as a vehicle for transmutation and transmission. \r
+\r
+Vatica Dahlia is artist, environmental systems designer, and a Magister of Ceremony. His work focuses largely on the various uses of ritual in reprogramming the human psyche. Vatica Dahlia's performances utilize signal processing, immersive media, Hermetic techne, and algorithmic design principles as a means of probing low-level aspects of the human constitution.\r
+\r
+#### Project Team\r
+\r
+- Cullen Miller - Project Lead, Audio\r
+- Gabriel Dunne - Sculpture Design, Fabrication, Projection\r
+- Stephanie Sherriff - Production, Fabrication, Installation, Secret Weapon\r
+- Lara Grant - Fashion Design\r
+- Ryan Alexander - Table Design\r
+\r
+#### Special Thanks\r
+\r
+- Barry Threw\r
+- Mary Franck\r
+- Keith Pasko\r
+- Daniel Screen\r
+\r
+### Screen Fabrication\r
+\r
+Procedurally designed sculpture for live performance \r
+Dimensions: 8' x 8' x 3' \r
+Materials: red oak, polycarbonate screens, rhino/grasshopper\r
+\r
+### exhibition\r
+2014 San Francisco CA\r
+2013 [Brookly NY](http://areyoudevoted.squarespace.com/exhibitions/2013/8/28/vatica-dahlia-rites.html)\r
+\r
\r
+\r
\r
\r
-<iframe src="//player.vimeo.com/video/95701630?title=0&byline=0&portrait=0&color=866c9e" width="600" height="337" frameborder="0" webkitallowfullscreen mozallowfullscreen allowfullscreen></iframe>\r
\r
-procedurally designed sculpture for live performance \r
-8' x 8' x 3' \r
-red oak, polycarbonate screens, rhino/grasshopper\r
+\r
\r
\r
\r
\r
\r
\r
-### exhibition\r
-2014 [San Francisco CA]() \r
-2013 [Brookly NY](http://areyoudevoted.squarespace.com/exhibitions/2013/8/28/vatica-dahlia-rites.html)\r
-\r
More info: <a href="http://www.vaticadahlia.com">vaticadahlia.com</a>
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\r
\r
\r
-*TXT_STRCT*\r
-\r
-Cullen Miller & Gabriel Dunne\r
-\r
-16 June 2016 | 7:30 p.m.\r
-\r
-Exploratorium, Pier 15 San Francisco, CA | Kanbar Forum\r
+- By Cullen Miller & Gabriel Dunne\r
+- 16 June 2016, 7:30 p.m.\r
+- Exploratorium, Pier 15 San Francisco, CA, Kanbar Forum\r
\r
\r
TXT_STRCT is a performance system for particle sonification created and performed by Cullen Miller and Gabriel Dunne. Navigating concepts such as emergence, fluid dynamics, and complexity it is a piece that attempts to steer and instrumentalize chaotic algorithmic processes for potentially aesthetic outcomes. Orienting itself towards a process rather than artifact the elements of the piece are spatialized and recombined into morphogenetic forms.\r
-<iframe width="560" height="315" src="https://www.youtube.com/embed/VTm6XbttkYY" frameborder="0" allow="accelerometer; autoplay; encrypted-media; gyroscope; picture-in-picture" allowfullscreen></iframe>
-
-[Paul Clipson](http://www.withinmirrors.org) (visual) 16mm Film Tryptic
+- [Paul Clipson](http://www.withinmirrors.org) (visual) 16mm Film Tryptic
+- [GDSS](https://soundcloud.com/gdss/) ([Stephanie Sherriff](http://gabrieldunne.com) + [Gabriel Dunne](http://gabrieldunne.com)) (sound)
-[GDSS](https://soundcloud.com/gdss/) ([Stephanie Sherriff](http://gabrieldunne.com) + [Gabriel Dunne](http://gabrieldunne.com)) (sound)
+ETHEREAL CHANNELS: EXPERIMENTAL FILM + PERFORMANCE
+- PAUL CLIPSON + GDSS
+- JOHN DAVIS + JOSHUA CHURCHILL
+- BOBBY ENGLISH JR
-ETHEREAL CHANNELS: EXPERIMENTAL FILM + PERFORMANCE - PAUL CLIPSON + GDSS, JOHN DAVIS + JOSHUA CHURCHILL, BOBBY ENGLISH JR, STUDIOSPACE, EMERYVILLE, CA, 8/20/2017
+EMERYVILLE, CA, 8/20/2017
-Ethereal Channels is an evening of experimental film and performance showcasing new time-based works by Paul Clipson + Gabriel Dunne + Stephanie Sherriff, Joshua Churchill + John Davis, and Bobby English, Jr. Please join us as we access evocative, subconscious channels through mediated audio/visual/bodily systems.
+Ethereal Channels is an evening of experimental film and performance showcasing new time-based works by Paul Clipson + Gabriel Dunne + Stephanie Sherriff, Joshua Churchill + John Davis, and Bobby English, Jr. Accessing evocative, subconscious channels through mediated audio/visual/bodily systems.
Live A/V performance @ StudioSpace, Emeryville
+<iframe width="560" height="315" src="https://www.youtube.com/embed/VTm6XbttkYY" frameborder="0" allow="accelerometer; autoplay; encrypted-media; gyroscope; picture-in-picture" allowfullscreen></iframe>
+
\ No newline at end of file
thumb: /m/aestral-orient/thumb.png
---
-Aestral Orient
-2016
-audio/visual performance
-soundwave ((7)) biennial: architecture
-grace cathedral, san francisco, california
+
+
+Aestral Orient (2016)
+Audio/Visual Performance
+Soundwave ((7)) Biennial: Architecture
+Grace cathedral, San Francisco, California
+
+A site-specific audio/visual performance in collaboration between [Stephanie Sherriff](http://ssherriff.com/) and [Gabriel Dunne](http://gabrieldunne.com). audio for the piece is spatialized and comprised of numerous field recordings and is controlled using a micro-controller, conductive tape, and max msp/jitter. textural, prismatic video is projected and mapped onto a tile labyrinth.
-a site-specific audio/visual performance in collaboration between [Stephanie Sherriff](http://ssherriff.com/) and [Gabriel Dunne](http://gabrieldunne.com). audio for the piece is spatialized and comprised of numerous field recordings and is controlled using a micro-controller, conductive tape, and max msp/jitter. textural, prismatic video is projected and mapped onto a tile labyrinth.
-
<iframe width="560" height="315" src="https://www.youtube.com/embed/G9CTsL16O-o" frameborder="0" allow="accelerometer; autoplay; encrypted-media; gyroscope; picture-in-picture" allowfullscreen></iframe>
thumb: /m/empathetic-waves/thumb.png
---
-[Paul Clipson](http://www.withinmirrors.org) (visual)
+<iframe width="560" height="315" src="https://www.youtube.com/embed/W82kEybp-y0" frameborder="0" allow="accelerometer; autoplay; encrypted-media; gyroscope; picture-in-picture" allowfullscreen></iframe>
-[Gabriel Dunne](http://gabrieldunne.com) (sound)
+<br />
-Live A/V performance at "Empathetic Waves" @ Artists' Television Access
+- [Paul Clipson](http://www.withinmirrors.org) (visual)
+- [Gabriel Dunne](http://gabrieldunne.com) (sound)
-June 10 2017
-
-<iframe width="560" height="315" src="https://www.youtube.com/embed/W82kEybp-y0" frameborder="0" allow="accelerometer; autoplay; encrypted-media; gyroscope; picture-in-picture" allowfullscreen></iframe>
\ No newline at end of file
+Live A/V performance at "Empathetic Waves" @ Artists' Television Access June 10 2017
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